Status Updates From Buttermilk Graffiti: A Chef...
Buttermilk Graffiti: A Chef’s Journey to Discover America’s New Melting-Pot Cuisine by
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Wren
is on page 262 of 304
Hmm is the ultimate goal assimilation? I don’t think so. I feel like you should know where food comes from, on many levels
— Jun 26, 2026 06:56PM
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Wren
is on page 182 of 304
This book says a good amount about American food culture but says a lot more about Edward Lee
— Jun 26, 2026 06:16PM
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Wren
is on page 168 of 304
“The stories, the memories, the movements that have been performed for generations - without them, we lose our direction.”
— Jun 26, 2026 06:10PM
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Wren
is on page 166 of 304
“When you look at the evolution of American cuisine, you always find this tension between tradition and innovation, a tension that produces the foods we crave most. It is in that intersection of the home we leave and the home we adopt that we find a dish that defines who we really are.”
— Jun 26, 2026 06:08PM
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Wren
is on page 133 of 304
“The only binary is life and death. Everything in between is a potluck dinner.”
— Jun 26, 2026 04:40PM
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Wren
is on page 108 of 304
“We can take a recipe out of its native environment without the tedium of having to find a person who will teach us”
— Jun 26, 2026 04:19PM
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Wren
is on page 94 of 304
It’s interesting to think about sensory experiences defined by opposites
— Jun 24, 2026 06:43PM
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Wren
is on page 86 of 304
I think something that gets me with this book, especially the Unfamiliar Noodle and Accidental Faat chapters, is the idea of observer versus participant. And the idea of insider versus outsider. Edward Lee literally says he was recommended to bring a translator to Dearborn but didn’t. I’m very curious about that. And what it says that places and food need a translator
— Jun 24, 2026 06:35PM
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