Status Updates From Slodko-gorzki eros

queen

To address yourself to the moment when Eros glances into your life and to grasp what is happening in your soul at that moment is to begin to understand how to live. Eros’ mode of takeover is an education: it can teach you the real nature of what is inside you. Once you glimpse that, you can begin to become it. Sokrates says it is a glimpse of a god

As Sokrates tells it, your story begins the moment Eros enters you. That incursion is the biggest risk of your life. How you handle it is an index of the quality, wisdom and decorum of the things inside you. As you handle it you come into contact with what is inside you, in a sudden and startling way. You perceive what you are, what you lack, what you could be.

It is in the difference between cursive and typeface, between the real Vronsky and the imaginary one, between Sappho and “the man who listens closely,” between an actual knight and an empty suit of armour, that desire is felt. Across this space a spark of eros moves in the lover’s mind to activate delight. Delight is a movement (kinēsis) of the soul, in Aristotle’s definition. No difference: no movement. No Eros.

As syntax, it impressed us as something of a subterfuge: properly a noun, eros acts everywhere like a verb. Its action is to reach, and the reach of desire involves every lover in an activity of the imagination.

Anne Carson is ridiculously intelligent

Your absence from the syntax of my life is not a fact to be changed by written words. And it is the single fact that makes a difference to the lover, the fact that you and I are not one. Archilochos steps off the edge of that fact into extreme solitude.

As separable, controllable units of meaning, each with its own visible boundary, each with its own fixed and independent use, written words project their user into isolation.

Literacy desensorializes words and reader. A reader must disconnect himself from the influx of sense impressions transmitted by nose, ear, tongue and skin if he is to concentrate upon his reading. A written text separates words from one another, separates words from the environment, separates words from the reader (or writer) and separates the reader (or writer) from his environment. Separation is painful.