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A Haunted History of Invisible Women: True Stories of America's Ghosts by
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Courtney
is on page 135 of 352
Saying that Nick redeemed himself is a wild take, given the paragraph that preceded it.
— Nov 01, 2026 11:01AM
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Courtney
is on page 110 of 352
ah, I get why the chapter on mothers and wives struck a nerve with some readers. There isn’t anything wrong here but it’s also a bit of a tone shift.
— Nov 01, 2026 10:25AM
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Carrington Curphy
is 93% done
The Katie King act chapter covers:
Spiritualism and Quakers; illusions and “trickery” from the era; people seeking comfort when their loved ones died from the Civil War and natural yet now preventable deaths; Harry Houdini a skeptic and debunker; women getting a voice and a platform as a Spiritualist
— Oct 31, 2026 11:17AM
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Spiritualism and Quakers; illusions and “trickery” from the era; people seeking comfort when their loved ones died from the Civil War and natural yet now preventable deaths; Harry Houdini a skeptic and debunker; women getting a voice and a platform as a Spiritualist
Carrington Curphy
is 89% done
“And many of them [skeptics of the past] would laugh right back at us if they saw an episode of Ghost Adventures.” Why is GA catching strays!
— Oct 31, 2026 10:53AM
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Carrington Curphy
is 89% done
“Ghosts are mirrors of the times. They reflect our preoccupations…”
(I think this is a quote from another author)
— Oct 31, 2026 10:46AM
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(I think this is a quote from another author)
Carrington Curphy
is 88% done
“Her story resonates with so many tropes of classic ghost stories: the mourning widow, the fierce protectiveness of her living space, the over-identification of the woman with the house in classic Gothic style.”
— Oct 31, 2026 10:38AM
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Carrington Curphy
is 78% done
“Modern society would rather not see the homeless, rendering them invisible, ghosts among us, even though in housed populations are only growing… those with mental illness are especially displaced and forced even further into the margins. Would Luce face pity, welcome, or a place by the fire today?“
— Oct 31, 2026 08:43AM
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Carrington Curphy
is 77% done
“Luce’s tale combines many loaded feminine tropes of maiden, spinster, mad woman and crone, but she herself has seemed to glide through these archetypes unfazed.”
— Oct 31, 2026 08:35AM
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Carrington Curphy
is on page 187 of 352
“she is a very strong symbol of the kind of guilt that makes us most uncomfortable; not the dramatic, obvious guilt of the assassin, which is reserved for Booth himself, but the icky, awkward guilt of everyone who ever stood by when something morally reprehensible was going on and did little to stop it—in fact, may even have aided its course in some self-serving, material way, even as they knew it was wrong.“
— Oct 30, 2026 08:44PM
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Carrington Curphy
is on page 149 of 352
The Lady of the House is a somewhat rare and true ghost story in this collection. Ghost hunting and flickering lights with questions, cold presences, and reverence for the lady of the house!
— Oct 30, 2026 07:48PM
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Carrington Curphy
is on page 140 of 352
“The two women are the keepers of these stories. While the better-known stories such as Zona Shue's have passed into national fame, some of the smaller local tales may have faded away without them. They are the ‘Granny Women’ of ghosts, those who keep old tradition and knowledge alive for the next generation.”
— Oct 30, 2026 06:54PM
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Carrington Curphy
is on page 123 of 352
“Any mother would die for her child in a heartbeat, and any mother would struggle to go on living after the death of a child. The impulse toward Spiritualism in the mid-nineteenth century was prompted in significant part by the high child mortality rates of the era, so it is no surprise to see that American ghost stories of the last two to three hundred years are littered with these sad spectral mothers”
— Oct 30, 2026 05:51PM
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Carrington Curphy
is on page 110 of 352
“For a society that has a lot of sympathy for serial killers, we’re pretty harsh on moms.”
— Oct 30, 2026 05:36PM
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Carrington Curphy
is on page 102 of 352
“But perhaps considering a tale such as this, however spun throughout history, could prompt society to take a look at who they may be scapegoating and why, and what indelible mark may be left into the future.”
— Oct 30, 2026 05:25PM
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Carrington Curphy
is on page 95 of 352
A connection between traumatized young girls, girls coming from a bad home, and poltergeist activity. Carrie was brought up but I also think of Matilda!
When denied agency or feeling powerless, or even violated, this can be a source of power—much like eating disorders or other responses felt by girls who are sexually assaulted
“Where does the pain and rage go when there is no earthly outlet for it?”
— Oct 30, 2026 05:12PM
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When denied agency or feeling powerless, or even violated, this can be a source of power—much like eating disorders or other responses felt by girls who are sexually assaulted
“Where does the pain and rage go when there is no earthly outlet for it?”
Carrington Curphy
is on page 82 of 352
“A child reaching out is so understandable, so universal through any era. The heartbreak of it should serve as a cry, a demand into our modern era to beware the pitfalls that befell Salem. Beware a zealous, paranoid mob. No innocence can survive it, only a ghostly echo can remain.”
— Oct 30, 2026 04:57PM
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Carrington Curphy
is on page 67 of 352
“When in the historical narrative that power is stripped away from her… she comes back from beyond the grave to prove that nothing can stop her.
…Of all the female ghost tropes we have encountered while researching this story, the witch is one of the strongest. Nothing can silence her. Not accusation, not punishment, and certainly not death.”
— Oct 28, 2026 04:42PM
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…Of all the female ghost tropes we have encountered while researching this story, the witch is one of the strongest. Nothing can silence her. Not accusation, not punishment, and certainly not death.”


