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Respect for Acting: Expanded Version by
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Michael Spurgeon
is on page 64 of 240
Chapter 6: The Five Senses
Need to focus on what I’m feeling in a particular moment. Journaling it and just keeping it near me will allow me to examine it for better understanding. Used to skip over this chapter or skim to apply it purely to the acting.
This book is not about acting. It’s about how to approach the craft like an artist.
— Aug 01, 2026 03:50PM
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Need to focus on what I’m feeling in a particular moment. Journaling it and just keeping it near me will allow me to examine it for better understanding. Used to skip over this chapter or skim to apply it purely to the acting.
This book is not about acting. It’s about how to approach the craft like an artist.
Michael Spurgeon
is on page 52 of 240
Chapter 4: Emotional Memory
Recenter focus on where the emotion comes from. If I can’t find it, recall the objects that live in the memory and find one that is sustainable enough to continuously work with.
— Jul 26, 2026 02:16PM
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Recenter focus on where the emotion comes from. If I can’t find it, recall the objects that live in the memory and find one that is sustainable enough to continuously work with.
Michael Spurgeon
is on page 46 of 240
Chapter 3. Substitution
I’ve been kinda doing this already. I remember being befuddled when I first read it. Did this technique with Meisner some years ago and it really worked for me.
— Jul 22, 2026 03:27PM
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I’ve been kinda doing this already. I remember being befuddled when I first read it. Did this technique with Meisner some years ago and it really worked for me.
Michael Spurgeon
is on page 33 of 240
Chapter I - Concept
Chapter II - Identity
Rereading this book for the fourth time. Starting to understand identity a bit more. It’s less self-inflicted, and more curiosity of human behavior itself. (Also, focusing on one thing is better on stage. So I’ve gotta do more homework so I don’t have to think so much while I’m acting. I hate thinking and acting.)
— Jul 18, 2026 10:43PM
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Chapter II - Identity
Rereading this book for the fourth time. Starting to understand identity a bit more. It’s less self-inflicted, and more curiosity of human behavior itself. (Also, focusing on one thing is better on stage. So I’ve gotta do more homework so I don’t have to think so much while I’m acting. I hate thinking and acting.)















