Status Updates From Steering the Craft: Exercis...

Good grief she's wordy!!! I found myself tripping over the lack of sufficient and well-placed commas, the tendency to write long, and to interject heavily with punctuations that made difficult sentences all the more harder.
She does it so much, I'm writing tediously long sentences now!
Her words choices are also ... a lot. It's a bit pretentious and a bit insufferable, especially compared to Lamott.

Schwarzchild must have read this book in preparing to teach his Creative Writing class. I see a lot of his limited beliefs in the pages of Le Guin's advise. (Yes, I'm still salty 13 years later!)

The advise around POV shifts is feeling a tiny bit dated, because everyone and their mother is doing multiple POV these days. Granted, as Le Guin warns, you've got to do it well or you'll leave the reader feeling very twisted and turned about.

Some of this advice feels a tiny bit outdated. Le Guin approaches POV with a rigidity that I don't think is as necessary in today's fictional and narrative writing.

Guin is so based

The writing is a bit difficult to get through just because Le Guin chooses to write in a atypical sentence structures and the delivery is often overcomplicated.

On the flip side, intentional repetition is a thing of beauty. I try to incorporate that in my writing as well. Done right, in the right place within a piece, it can really lift the whole thing to the next level.

Ha! I was just struggling with repetition in a recent writing activity. I am hyperaware of repetition and work to avoid the clunky, unintentional version. But when you're writing without editing, its bound to happen. And because I'm so aware and wary, I hear it more loudly in my writing than others do. It's interesting to realize others aren't necessarily as bothered by poor diversity in words as I might be.