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The Pleasures of the Imagination; English Culture in the Eighteenth Century The Pleasures of the Imagination; English Culture in the Eighteenth Century
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Dimitri
Dimitri is on page 480 of 688
Shakespeare became famous not as a dramatist but as an author. His editors progressively removed him from the theatre and confined him to the page. In Pope's edition of 1725 the best passages were identified by double commas in the margin & readers had analytical indexes to help them extract, as the play-goer could not, favoured speeches and scenes; a play's dramatic unity, perceived in performance, was lost.
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The Pleasures of the Imagination; English Culture in the Eighteenth Century

Lizzie Stevens
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mammon
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The Pleasures of the Imagination: English Culture in the Eighteenth Century




James Catt
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James Catt
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James Catt
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James Catt
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Katie
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