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Rubi Suwal
is on page 44 of 842
Chapter I establishes the generational critique at the heart of Demons. Dostoevsky presents Stepan Trofimovitch and his 1840s liberal generation as well-meaning, poetic, and vain aesthetes whose detachment from reality, moral ambiguity, and abdication of parental duty directly pave the way for the radical, destructive nihilism of their children's generation (represented later by his son and Varvara's son
— 2 hours, 14 min ago
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Hillary
is on page 111 of 710
Will come back to it when I can check it out of the library again.
— 20 hours, 53 min ago
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