Farshad Torkashvand > Recent Status Updates

A father never knows the pain a woman goes through to give birth, and a woman never knows the pains a man put himself into for the happiness of his wife.

Romance for writers like this becomes an idea of perversion and selfishness.
I remember when I read Anna Karina, there was a character in it, I don't recall his name, in the beginning he asked for the hand of a girl from her parents first, then her. She refused him.
He was broken, but never disrespected her decision, until she found the fouly of what she did.

In university, I had economy 1 and 2. Yet my understanding of it was superfluous. In this book, it talks about the logic behind its thesis rather than going deep into the number, and in doing so, it reaches more people.

Fereydun is finished, now I'm translating Manuchehr.

One thing that I hate about John Gwynne writing is the talking during the fight.

Up to now, I learned a few things, some of the things that I knew, it became clearer.

I'm at the story of Fereydun.

The main character reminds me of one of the most obnoxious characters I ever read— Erin from Wondering Inn.

At this point I'm laughing at the stupidity of this story.
The story is about a Karen who wants to see the manager of dragon for endangering the rider.
Lol

The author attempts to evoke sympathy for the Main Character, but it fails spectacularly for me. The reason is that if a way out of a desperate situation is presented and the character chooses not to take it due to stubbornness, that choice invites the problems that follow.
So, no sympathy.

Divergent+Fifty Shades of Grey+Dragon=Fourth Wing

I am about to DNF this one, if I don't, definitely I won't read the second one.

Well, I'm reading and translating into English on my subreddit.
I hope that way, this book reaches more people around the world.

The book is written beautifully without going on many scientific names.
So far, it didn't tell me anything that I didn't know or thought of, yet it is an amazing lesson for me to tell a history lesson.
Now and then, I write nonfiction articles, yet this voice is more enjoyable than my snarky, and trying to be funny approach.

On this second read, the world that Martin created is full of fools, even the smart ones are fools.
The level for smartness is so low that if anyone shows a trick or out manuever these fools, they call him smart or intelligent. This shows smartness, but it is bare of any intelligence.
For example, Tyron is smart but not intelligent, so goes for Baelish and Catelyn.

I thought I could reread the series, but I can't.

I found no reason to do so. On top of that, the story is on my nerve.

Wow, Katelyn for sure made Cersi to run for being a villain.
They both think they are the smartest people in the room, yet both of them brought ruins and caused the death of their children.

Beautiful. Just beautiful.

I cannot understand the tropes of these new generation writers.

They make women and men, all alike.
I guess they try to be feminist, yet, out of ignorance, they forget that in the past, old women were revered and respected like a warrior. They were bestowed the title of elder.
They were the Machiavellians of that era, deciding who became chief or not, and making peace, and all men and women listened to them.

Not. A. Single. Fight. Scene. Yet this trumps what Brandon Sanderson shoved down into our throat.
I wish more scientists were interested to tell story.
Unfortunately, I know three, Carl Sagan, Andy Weir, and Issac Asimov.

I put off reading this book for months, but I recently decided to give it another chance after calming down a bit from my disappointment with this book of the series. I had high hopes for this writer, whose work I respected, but I found this book to be a complete disaster.

As I read on, I get more appreciation for that massive work of Tolstoy's Anna Karenina.
One is filled with wisdom and thought-provoking dialogue, and another one, albeit that has many fight scenes in it, is boring as reading appliance brochures.

This isn't art. This isn't literacy. It is just noises in the form of words on the page.
I have seen Webnovels written more passionately than this.

Let me put it this way, the war is getting so rediculus that on one side you have a God thrives with emotion and can predict any outcome, also commanding his army.
On the other hand, they have vague and ambiguous guidance from Gods, mentally unstable people, the most powerful Spen becomes a roadblock, and people having enough time to be romantic and being distracted with it.
Why is Brando writing like an amateur?

I'm so close to DNF this one.

I hate, loathe, and am disgusted by raising moral philosophy and showing it to the kind of people that won't understand it.
And it's supposed to happen within a few days.
Unfortunately, I see it everywhere, and it seems to me I can't escape it.
Any enlightenment is arduous and a long journey that a person should put on themselves, not by any outsider. That would be pretentious.

What I don't understand is why most of the writers don't do any research about the body and mind when they are writing about it?

Isaac knew wisdom. Isaac like Carl Sagan used story to tell about possibilities and philosophy.
I'm just sad that I couldn't do the same.

Let me parrot the style of Asimov:
I seek not the feeble battle style. The tale of gore on axe or sword, but to think and wonder at the ingenuity of humans.
This weary heart of mine seeks intellectual, not the tale of the battle between two chipmunks.