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Hera
Hera is on page 58 of 224 of On Photography
"Abracadabrant" = belonging to no known language, Henry James
— 7 hours, 33 min ago Add a comment
On Photography

Hera
Hera is on page 58 of 224 of On Photography
Now thinking about accessibility to what is seen. Accessibility as a modality in photography.
— 7 hours, 37 min ago Add a comment
On Photography

Hera
Hera is on page 58 of 224 of On Photography
"What is surreal is the distance imposed, and bridged, by the photograph: the social distance and the distance in time."
— 7 hours, 39 min ago Add a comment
On Photography

Hera
Hera is on page 57 of 224 of On Photography
"But essentially the camera makes everyone a tourist in other people's reality, and eventually in one's own."
— 7 hours, 40 min ago Add a comment
On Photography

Hera
Hera is on page 54 of 224 of On Photography
"The error of Surrealist militants was to imagine the surreal to be something universal, that is, a matter of psychology, whereas it turns out to be what is most local, ethnic, class-bound, dated."
— 8 hours, 11 min ago Add a comment
On Photography

Hera
Hera is on page 53 of 224 of On Photography
"In the fairy tale of photography the magic box insures veracity and banishes error, compensates for inexperience and rewards innocence."
— 8 hours, 13 min ago Add a comment
On Photography

Hera
Hera is on page 53 of 224 of On Photography
"Surrealism has always courted accidents, welcomed the uninvited, flattered disorderly presences." Kuleshov effect?
— 8 hours, 14 min ago Add a comment
On Photography

Hera
Hera is on page 45 of 224 of On Photography
"What is safe no longer monopolizes public imagery. The freakish is no longer a private zone, difficult of access. People who are bizarre, in sexual disgrace, emotionally vacant are seen daily on newsstands, on TV, in the subways. Hobbesian man roams the streets, quite visible, with glitter in his hair."
— 8 hours, 17 min ago Add a comment
On Photography

Hera
Hera is on page 37 of 224 of On Photography
"Arbus's view that self-revelation is a continuous, evenly distributed process is another way of maintaining the Whitmanesque imperative: treat all moments as of equal consequence."
— 8 hours, 23 min ago Add a comment
On Photography

Hera
Hera is on page 33 of 224 of On Photography
"Steichen's choice of photographs assumes a human condition or a human nature shared by everybody. ... denies the determining weight of history - of genuine and historically embedded differences, injustices, & conflicts. Arbus's photographs undercut politics just as decisively, by suggesting a world in which everybody is an alien, hopelessly isolated, immobilized in mechanical, crippled identities and relationships."
— 8 hours, 34 min ago Add a comment
On Photography

Hera
Hera is on page 24 of 224 of On Photography
"By furnishing this already crowded world with a duplicate one of images, photography makes us feel that the world is more available than it really is."
— 9 hours, 59 min ago Add a comment
On Photography

Hera
Hera is on page 23 of 224 of On Photography
"Photography implies that we know about the world if we accept it as the camera records it. But this is the opposite of understanding, which starts from /not/ accepting the world as it looks."
— 10 hours, 0 min ago Add a comment
On Photography

Hera
Hera is on page 22 of 224 of On Photography
"Photographs are valued because they give information. They tell one what there is; they make an inventory. ... [T]heir value is inestimable. ... The information that photographs can give starts to seem very important at that moment in cultural history when everyone is thought to have a right to something called news." Thinking about this + social media + pseudo-events.
— 10 hours, 1 min ago Add a comment
On Photography

Hera
Hera is on page 11 of 224 of On Photography
"A photograph is not just the result of an encounter between an event and a photographer; picture-taking is an event in itself, and one with ever more peremptory rights - to interfere with, to invade, or to ignore whatever is going on."
— 10 hours, 10 min ago Add a comment
On Photography

Hera
Hera is on page 10 of 224 of On Photography
"Photography has become one of the principal devices for experiencing something, for giving an appearance of participation."
— 10 hours, 11 min ago Add a comment
On Photography

Hera
Hera is on page 9 of 224 of On Photography
"As photographs give people an imaginary possession of a past that is unreal, they also help people to take possession of space in which they are insecure."
— 10 hours, 11 min ago Add a comment
On Photography

Hera
Hera is on page 136 of 336 of An Image of My Name Enters America: Essays
"Language's most basic operation is, I realize, to cause us to believe that something invented is a given."
— Nov 02, 2026 09:56AM Add a comment
An Image of My Name Enters America: Essays

Hera
Hera is on page 128 of 336 of An Image of My Name Enters America: Essays
"The stranger isn't my love or my lover. The stranger is someone I seem to have forgotten, whose story I must nevertheless tell. Again, today, if I must choose between love and memory, I choose memory."
— Nov 02, 2026 09:52AM Add a comment
An Image of My Name Enters America: Essays

Hera
Hera is on page 104 of 171 of Goblinhood: Goblin as a Mode (Rough Trade Books)
"I only want writing made by a human, not necessarily for the writing, but because of what's behind it; where it came from, what it took someone to start it (incredible), rework it (unbelievable) and complete it (miraculous). The human will to write and share one's idiosyncratic ways of thinking, feeling, and then communicating it to others takes guts."
— Oct 04, 2026 09:39AM Add a comment
Goblinhood: Goblin as a Mode (Rough Trade Books)

Hera
Hera is on page 40 of 219 of Modern Love
— Aug 19, 2026 11:39AM Add a comment
Modern Love

Hera
Hera is on page 16 of 219 of Modern Love
"I want to be a guard at the gate of indecision. Want to know the cause of everything, all things. [...] I think he's fabulous, I want to find him flawless, I'm ready to kneel at his feet. I think men tire me. [...] That's where you belong. Permanently framed in a romantic episode. I'll tell you more."
— Aug 19, 2026 11:17AM Add a comment
Modern Love

Hera
Hera is on page 89 of 178 of Slow Days, Fast Company: The World, the Flesh, and L.A.
"There is something fascinating about a person's face when they're not falling apart because of their imperfections and self-loathing. Pleasure is a lure."
— Jul 02, 2026 09:07AM Add a comment
Slow Days, Fast Company: The World, the Flesh, and L.A.

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