Hera’s Reviews > On Photography > Status Update
Hera
is on page 58 of 224
Now thinking about accessibility to what is seen. Accessibility as a modality in photography.
— 4 hours, 32 min ago
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Hera’s Previous Updates
Hera
is on page 58 of 224
"Abracadabrant" = belonging to no known language, Henry James
— 4 hours, 27 min ago
Hera
is on page 58 of 224
"What is surreal is the distance imposed, and bridged, by the photograph: the social distance and the distance in time."
— 4 hours, 34 min ago
Hera
is on page 57 of 224
"But essentially the camera makes everyone a tourist in other people's reality, and eventually in one's own."
— 4 hours, 35 min ago
Hera
is on page 54 of 224
"The error of Surrealist militants was to imagine the surreal to be something universal, that is, a matter of psychology, whereas it turns out to be what is most local, ethnic, class-bound, dated."
— 5 hours, 6 min ago
Hera
is on page 53 of 224
"In the fairy tale of photography the magic box insures veracity and banishes error, compensates for inexperience and rewards innocence."
— 5 hours, 8 min ago
Hera
is on page 53 of 224
"Surrealism has always courted accidents, welcomed the uninvited, flattered disorderly presences." Kuleshov effect?
— 5 hours, 8 min ago
Hera
is on page 45 of 224
"What is safe no longer monopolizes public imagery. The freakish is no longer a private zone, difficult of access. People who are bizarre, in sexual disgrace, emotionally vacant are seen daily on newsstands, on TV, in the subways. Hobbesian man roams the streets, quite visible, with glitter in his hair."
— 5 hours, 12 min ago
Hera
is on page 37 of 224
"Arbus's view that self-revelation is a continuous, evenly distributed process is another way of maintaining the Whitmanesque imperative: treat all moments as of equal consequence."
— 5 hours, 18 min ago
Hera
is on page 33 of 224
"Steichen's choice of photographs assumes a human condition or a human nature shared by everybody. ... denies the determining weight of history - of genuine and historically embedded differences, injustices, & conflicts. Arbus's photographs undercut politics just as decisively, by suggesting a world in which everybody is an alien, hopelessly isolated, immobilized in mechanical, crippled identities and relationships."
— 5 hours, 29 min ago
Hera
is on page 24 of 224
"By furnishing this already crowded world with a duplicate one of images, photography makes us feel that the world is more available than it really is."
— 6 hours, 54 min ago

