"In The Cut" creates a woman who is 'becoming': her journey is not about well-being, redemptive moral realization, or recuperation into patriarchal discourse. It is a journey into her own interiority, albeit, as Gillet notes, "through the killing-fields of the phallocentric imaginary'
Thus ends the study of In The Cut. Next up, Lost In Translation.
— Apr 28, 2016 02:31AM
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