When I picture Gormenghast, I imagine it brought to life through stop motion or claymation, something in the vein of Mad God. It feels like the perfect medium for such a singular, haunting world. Also, Peake’s prose is nothing short of transformative; it’s thick and lush and almost painterly, but not in a romantic way, more in a way that’s damp with rot and splendor. I’m in love.
— Aug 29, 2025 02:50PM
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