I was already dubious when the preface claims these women I’ve read about before “are only now revealed,” but Holt’s insistence that the Pastoral Symphony is a complete failure and “past the point of redemption” is so weird. It just undercuts her valid critiques to keep lying that no one likes it, especially when her only support comes from two random, non-contemporaneous reviews…
— Mar 06, 2026 09:41AM
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