Mystery with many clues but no solution.
The end of Chapter Two answers Balzac, Flaubert, Zola, and all the novels of psychological
realism. It's a polemic on behalf of late modernism.
It says there is a "true" story behind all other stories, a "what really happened," but that real story is impossible to know.
So no wonder Proust meant so much to Beckett. He got the unknowable from the Captive and the Fugitive.
— Jan 26, 2025 10:23AM
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