In Childhood’s End, Arthur C Clarke is far more interested in big ideas than character development, and it shows; the narrative often feels clunky by present day standards. Still, the philosophical scope of the novel more than compensates for these weaknesses. The ending, in particular, is classic Clarke: strange, cosmic, and reminiscent of the conceptual ambition he later achieved in 2001: A Space Odyssey.
— Mar 08, 2026 09:35AM
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