Aerin’s Reviews > The Odyssey > Status Update

Aerin
Aerin is on page 332 of 582
Odysseus is proof that real men aren’t ashamed to cry. Frequently, copiously, at the slightest provocation. Multiple times a day. Full-on, ceaseless wailing. Are… are you okay there, buddy? Do you need a hug?
Sep 28, 2025 01:50AM
The Odyssey

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Aerin
Aerin is on page 514 of 582
Odysseus,
seeing his father worn by age and burdened
by desperate, heartfelt sorrow, stopped beneath
a towering pear tree, weeping. Then he wondered
whether to kiss his father, twine around him,
and tell him that he had come home again,
and everything that happened on the way—
or question him. He thought it best to start
by testing him with teasing and abuse.


Odysseus really is an asshole sometimes.
Oct 10, 2025 04:14PM
The Odyssey


Aerin
Aerin is on page 477 of 582
Odysseus ripped off his rags. Now naked,
he leapt upon the threshold with his bow
and quiverfull of arrows, which he tipped
out in a rush before his feet, and spoke.

“Playtime is over. I will shoot again,
towards another mark no man has hit.
Apollo, may I manage it!”


Aww yeah, Ancient Greek action movie time!
Oct 08, 2025 07:28AM
The Odyssey


Aerin
Aerin is on page 279 of 582
Finally getting to the good part; I just don’t find the first several books of Telemachus moping around all that interesting.

Fun fact: when I lived in Sicily, I lived on the “collina dei ciclopi” (cyclops hill), where Polyphemus allegedly had his cave, and our apartment had a view of the “isole ciclopi” (cyclopean isles), the giant rocks/small islands he chucked into the water after the fleeing Odysseus.
Sep 26, 2025 02:43AM
The Odyssey


Aerin
Aerin is on page 120 of 582
I love how the gods are portrayed in Homer as petty, meddling gossips. Just sitting around Olympus, chatting over cups of ambrosia, like “So what are we gonna do about this Odysseus situation? Is Poseidon ever gonna give him a break, or what?”
Sep 14, 2025 12:54PM
The Odyssey


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message 1: by Robert (new) - added it

Robert The macho thing, in some cultures, was to experience and convey the extremities of emotion. Another example is in the Song of Roland, where Charlemagne upon learning of a bereavement screams, wails, cries, tears his beard and generally does the opposite of the stiff upper lip repressive nonsense of the late Victorians which has carried on to this day harming its practitioners.


Aerin It’s so interesting (and kind of horrifying) the extremes these cultural expectations can take.


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