Quentin Ferrari’s Reviews > “A” > Status Update

Zukofsky balances lofty concerns (how music merges identities across time, how history works) with a disciplined approach to poetic form. I'll maybe write a new update here soon when I better collect my thoughts. For now, his prosody is top tier, his poetic games engaging. Zuk puts line breaks in a Henry Ford interview and shows it's poetry, the first 7 movements make a fugue, and he translates Yehoash, for example.