Derek Cook’s Reviews > Dangerous Rhythms: Jazz and the Underworld > Status Update

Derek Cook
Derek Cook is on page 353 of 448
[Mary Lou’s Mass] was part of Williams’s belief that jazz needed to be elevated out of the basement clubs run by mobsters, where alcohol, drugs, and sexual transactions were part of the draw, and performed in concert halls, conservatories, and cathedrals. Jazz was an art form, and it needed to start being treated like one.
Oct 30, 2025 05:34PM
Dangerous Rhythms: Jazz and the Underworld

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Derek’s Previous Updates

Derek Cook
Derek Cook is on page 331 of 448
“If properly managed, a casino was a license to print money.”
Oct 29, 2025 04:56AM
Dangerous Rhythms: Jazz and the Underworld


Derek Cook
Derek Cook is on page 309 of 448
Oct 28, 2025 02:34PM
Dangerous Rhythms: Jazz and the Underworld


Derek Cook
Derek Cook is on page 288 of 448
Oct 27, 2025 10:19AM
Dangerous Rhythms: Jazz and the Underworld


Derek Cook
Derek Cook is on page 245 of 448
Oct 25, 2025 04:54PM
Dangerous Rhythms: Jazz and the Underworld


Derek Cook
Derek Cook is on page 207 of 448
Oct 23, 2025 04:09AM
Dangerous Rhythms: Jazz and the Underworld


Derek Cook
Derek Cook is on page 133 of 448
Oct 16, 2025 06:01AM
Dangerous Rhythms: Jazz and the Underworld


Derek Cook
Derek Cook is on page 115 of 448
Oct 15, 2025 05:09AM
Dangerous Rhythms: Jazz and the Underworld


Derek Cook
Derek Cook is on page 98 of 448
Prohibition created a framework for the music that would otherwise not have existed…There was something about the Roaring Twenties itself- the clandestine social interactions, the posing of racial boundaries, the hoodlums, the musicians- that turned jazz from a subculture into a telling representation of the national psyche.
Oct 14, 2025 04:36AM
Dangerous Rhythms: Jazz and the Underworld


Derek Cook
Derek Cook is on page 69 of 448
Oct 09, 2025 04:50PM
Dangerous Rhythms: Jazz and the Underworld


Derek Cook
Derek Cook is on page 28 of 448
With more than one hundred light bulbs in the ceiling, plus an electric lighted sign outside, Anderson’s was a monument to Thomas Edison and a promise of things to come: vice and politics arm in arm under the brilliant, man-made radiance of American ingenuity.
Oct 08, 2025 05:32AM
Dangerous Rhythms: Jazz and the Underworld


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