Rebecca P-H’s Reviews > When Heroes Sing: Sophocles and the Shifting Soundscape of Tragedy > Status Update
Rebecca P-H
is on page 146 of 208
huh you know I am buying Philoctetes as an Orpheus figure. should also give some thought to how he reconfigures the relentlessly male play into a landscape full of nymphs. I guess it undermines the power of that act of poetic conjuring if you make the nymphs present all along like Heaney does.
— Nov 03, 2025 09:57PM
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Rebecca’s Previous Updates
Rebecca P-H
is on page 123 of 208
"the terminally silent Pylades" oh man the pattern in contemporary Oresteia adaptations with the character of Pylades being collapsed into Electra (no Pylades in Icke or Farber or McLaughlin) already at work in Sophocles. he loses a voice with which to invoke Apollo because she's taken it over.
— Oct 29, 2025 11:27PM
Rebecca P-H
is on page 112 of 208
I'm making this Electra chapter fight (and defeat) the Batchelder book The Seal of Orestes
— Oct 28, 2025 09:51PM
Rebecca P-H
is on page 100 of 208
something very specific about apostrophe within the theater I think. addressing someone/something that's not present to answer in a context whose basis is messing around with what 'present to answer' means. for a hero to cry out means to see that there is a bigger picture which is to anticipate AN audience if not this theatrical audience.
— Oct 27, 2025 09:50PM
Rebecca P-H
is on page 43 of 208
this on Ajax's lyrical/poetic/metrical isolation from the others on stage pairs very nicely with Afroditi Angelopoulou on how the unusual chorus of military-age men highlights Ajax's corporeal/choreographic isolation from them, the group with whom he ought to be in sync. has me thinking about Harry Beaton in Brigadoon actually, dancing in counterpoint to the male ensemble and often cut off from their singing
— Oct 24, 2025 04:12PM
Rebecca P-H
is on page 31 of 208
this on Ajax's lyrical/poetic/metrical isolation from the others on stage pairs very nicely with Afroditi Angelopoulou on how the unusual chorus of military-age men highlights Ajax's corporeal/choreographic isolation from them, the group with whom he ought to be in sync. has me thinking about Harry Beaton in Brigadoon actually, dancing in counterpoint to the male ensemble and often cut off from their singing
— Oct 24, 2025 04:12PM
Rebecca P-H
is on page 13 of 208
I definitely need to talk to Sarah about the possibility of Sophocles himself playing the title role in his Thamyras like the Vita claims. and the even more speculative possibility that he played Philomela in his Tereus, a role that would've been the polar opposite of Thamyras but would've ALSO been poet-analogous, working with a different idea of the 'poet' more based in the written word than earlier decades...
— Oct 22, 2025 08:55PM

