Gregory Rothbard’s Reviews > The Grip of It > Status Update
Gregory Rothbard
is on page 154 of 276
A husband wife but a home in the suburbs In the hopes of escaping the urban grind. They find themselves haunted by the home’s past, they begin to lose touch with reality and liminal space, and are haunted by the house’s human tragedy.
— Jan 13, 2026 02:18PM
Like flag
Gregory’s Previous Updates
Gregory Rothbard
is on page 230 of 276
“Compassion fatigue” there is only so many times one can empathize with your others story. Marriages outside covenantal are transactional. Transactional marriages most continually feed the marriage account. Eventually this becomes a monster.
— 17 hours, 23 min ago
Gregory Rothbard
is on page 175 of 276
Why I love ghost stories is that they delve into the subconscious and how we deal with trauma. A good ghost story deals with the secrets of them who are involved. It’s what made the “reformatory” great, the trauma hidden in the historical record. “The Grip Of It” deals with marital trauma in our modern age. They want a new life and buying a house, moving to the suburbs will be their escape.
— 23 hours, 6 min ago
Gregory Rothbard
is on page 173 of 276
“ i know what it feels like to speak a lie to make it sound more true.” James thought.
— Jan 13, 2026 02:56PM
Gregory Rothbard
is on page 162 of 276
What happens to the unity of marriage when the center is based on faulty logic? Does evil work to separate unity?
— Jan 13, 2026 02:26PM
Gregory Rothbard
is on page 143 of 276
The way that each of us shapes the others reality is important in the expression of this book. James, the husband, is shaped by Julie, who are both shaped by Rolf!
— Jan 13, 2026 01:09PM
Gregory Rothbard
is on page 141 of 276
Trick of the trade: I love the use of dialogue breaking into 1st person.
The author uses 1sr person narrative to force a pov. This pov is limited because you only see what the narrator sees. It’s far more moving when the pov is limited and the anxiety of the scene is amped. You can’t see outside the box you reading in.
But then the dialogue allows her to have both pov at the same time!
— Jan 13, 2026 01:05PM
The author uses 1sr person narrative to force a pov. This pov is limited because you only see what the narrator sees. It’s far more moving when the pov is limited and the anxiety of the scene is amped. You can’t see outside the box you reading in.
But then the dialogue allows her to have both pov at the same time!

