CK’s Reviews > What We Talk About When We Talk About Love > Status Update
CK
is on page 56 of 176
7/17 The Bath: I really appreciate how Carver has two characters who are depicted according to what role their emotions are leaning toward: parent, spouse, or person. The ambiguous ending was also painful but fitting for this type of story
— 15 hours, 59 min ago
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CK’s Previous Updates
CK
is on page 46 of 176
6/17 Sacks: This story makes you realize that most affairs are mundane and repetitive and not that different from each other…except to the people experiencing the act and the fallout.
— Jan 18, 2026 10:45PM
CK
is on page 36 of 176
5/17 I Could See the Smallest Things: My favorite of the short stories so far, I love how descriptive Carver is about the moon and how it shines over a paused suburban life - a moment of quiet rebellion in doing something outside of the expected routine of your life, especially as a woman.
— Jan 18, 2026 05:14PM
CK
is on page 30 of 176
4/17 Gazebo: I love how a hotel can serve as a metaphor for outside forces pushing in on a relationship, and how an idealized structure like a gazebo feels more stable than a place people need (a hotel). Realizing that starting new can happen at any time in your life, especially from something bad you’ve lived though or done, can feel freeing but empty
— Jan 18, 2026 01:27PM
CK
is on page 20 of 176
3/17 Mr. Coffee and Mr. Fixit: A lot of dialogue in this one but I keep getting confused on who is speaking and when - but maybe the comparison of the marriages, the narrator’s own and his parents - are meant to be confused because the follow similar patterns
— Jan 13, 2026 09:49PM
CK
is on page 16 of 176
2/17 Viewfinder: Starting to sense a theme here of being physically trapped in suburbia and emotionally trapped with grief and abandonment. Interesting metaphors here of what it means to hold onto something with what you have, with what you’ve been dealt with, worse or better than others
— Jan 13, 2026 11:38AM
CK
is on page 10 of 176
1/17 Why Don't You Dance: Interesting display of perspectives of two people (the couple almost acting as an individual while the older man acts as one half of a couple) who feel for one brief moment as if they have swapped trajectories, looking into the experience they are missing but not quite being able to grasp it.
— Jan 12, 2026 03:19PM

