Roxy’s Reviews > Reel to Real: Race, Sex, and Class at the Movies > Status Update
Roxy
is 47% done
Chapter 13
“Minor interventions [of stereotypes]…occur rarely.”
hooks urges for the support of independent cinema. With only conventional frameworks, we can never know a full experience. We need artists that reject Hollywood commercialism’s “unfeathered imaginations.” She basically says we need a more holistic variety of Black filmmakers — not just more Spike Lee copycats lol
— Jan 21, 2026 10:38AM
“Minor interventions [of stereotypes]…occur rarely.”
hooks urges for the support of independent cinema. With only conventional frameworks, we can never know a full experience. We need artists that reject Hollywood commercialism’s “unfeathered imaginations.” She basically says we need a more holistic variety of Black filmmakers — not just more Spike Lee copycats lol
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Roxy’s Previous Updates
Roxy
is 90% done
Chapter 19:
“History as counter memory: using it as a way to know the present and invent the future”
— Jan 25, 2026 11:50PM
“History as counter memory: using it as a way to know the present and invent the future”
Roxy
is 80% done
bell hooks speaks beautifully about “influential” filmmaking. We often define legacy via quantity and grandeur — but the work of an artists who made one film can have a bigger cultural and artistic impression than someone who has made 20.
hooks uses Charles Burnett’s “Killers of Sheep” (1977) as an example of a modest but influential piece that’s had a rippling effect across (independent) film
— Jan 22, 2026 10:36PM
hooks uses Charles Burnett’s “Killers of Sheep” (1977) as an example of a modest but influential piece that’s had a rippling effect across (independent) film
Roxy
is 64% done
Chapter 16: interview w/ Camille Billops
> manipulation of Black stories via wardrobe and backdrops; leaning into “sleazy” aesthetics
> document everything about your life presently and do so extensively. Print it on the best paper you can. It is proof you / all of these people and things existed in a point in time — see so you cannot repeat
> film is constructed — it’s not the same as revealing truth
— Jan 21, 2026 10:49PM
> manipulation of Black stories via wardrobe and backdrops; leaning into “sleazy” aesthetics
> document everything about your life presently and do so extensively. Print it on the best paper you can. It is proof you / all of these people and things existed in a point in time — see so you cannot repeat
> film is constructed — it’s not the same as revealing truth
Roxy
is 31% done
bell hooks tears Larry Clark a new one in her essay on Kids (1995) (“Kids: Transgressive Subjects: Reactionary Film”). Some defend the film’s cultural impact since it was one of the earlier depictions of how HIV/AIDS affects heterosexual people. It would’ve been interesting to hear a response geared toward that, but still potent.
Crooklyn (1994) is my favorite of the mentioned films so far
— Jan 17, 2026 01:31PM
Crooklyn (1994) is my favorite of the mentioned films so far
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Jan 21, 2026 10:45AM
Also talks a lot about the accessibility of experimentation and “avant garde” work. Basically feels more pressure to be mainstream as a Black artist, and it’s also harder to get financial backing for anything that could be deemed a financial risk
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