Tomas Traslaviña’s Reviews > The Poet's Freedom: A Notebook on Making > Status Update

30: In truth, each of these imaginary scenarios has its realization in some moment of art history --the artist of the everyday in a critique of self-consciousness. Yet, for obvious and self-contradictory reasons, these approaches to art making are defined by negative freedoms—they are
driven by freedoms from. Bound by definition to those practices they deny, they cannot overcome their secondariness