Jen R.’s Reviews > Women's Work: From Feminine Arts to Feminist Art > Status Update
Jen R.
is on page 27 of 224
[Schiaparelli collaborated] with other artists on her work. In 1936, she worked with Méret Oppenheim to create a fur-covered bracelet - a design that Oppenheim explored further in her famousObject (Le Déjeuner en fourrure) sculpture of a furry tea set later that year. The bracelet was part of a collection that also included a [fur ring].
— Feb 08, 2026 01:37AM
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Jen’s Previous Updates
Jen R.
is on page 93 of 224
[Magdalena] Abakanowicz enrolled at the Academy of Fine Arts in Warsaw in 1950. [Students were required to] train in the state approved Socialist Realist style … [but she] wanted the freedom to explore her own ideas… At night, she would create huge, abstracted paintings on bedsheets that she'd sewn together… animals, insects and other organic forms using large fields of colour
— Feb 24, 2026 10:01AM
Jen R.
is on page 51 of 224
While some critics remarked that it was a shame the works were not made of more traditional, long-lasting sculptural materials, [Dorothea] Tanning was unbothered by the impermanence of cloth and saw this as one of the sculptures' more interesting qualities. [She stated] in a 1976 interview … that soft sculptures celebrate the triumphs of 'cloth as a material for high purpose' and 'softness over hardness’.
— Feb 15, 2026 01:03AM
Jen R.
is on page 23 of 224
[Schiaparelli’s] interest in beauty can be traced, in part, to her mother, who constantly called her ugly. Ever the defiant child, she began to imagine whimsical ways of proving her mother wrong. This led to one occasion when she stuffed her ears, nose and mouth with seeds in the hope of sprouting flowers.
— Feb 08, 2026 01:16AM
