antiz’s Reviews > Fascism and Theatre: Comparative Studies on the Aesthetics and Politics of Performance in Europe, 1925-1945 > Status Update

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Learning about fascism isn’t just studying what terrors fascits commit against ‘enemies’, but about why it attracts millions of people and what “subtle strategies of persuasion [the regimes employ] to win over the masses to their cause”
Apr 17, 2026 03:19AM
Fascism and Theatre: Comparative Studies on the Aesthetics and Politics of Performance in Europe, 1925-1945

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antiz’s Previous Updates

antiz
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“Art is not detached from the society that produces it, but rather it reflects and shapes public consciousness.”
Apr 17, 2026 08:04AM
Fascism and Theatre: Comparative Studies on the Aesthetics and Politics of Performance in Europe, 1925-1945


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“The study of history is of topical relevance to contemporary developments in the political and social fields.”
Apr 17, 2026 07:56AM
Fascism and Theatre: Comparative Studies on the Aesthetics and Politics of Performance in Europe, 1925-1945


antiz
antiz is starting
Increase in racist attacks and attack on refugees and migrant workers linked to rise of far right in Europe (this was in the 1990s but is absolutely true today too)
Apr 17, 2026 07:55AM
Fascism and Theatre: Comparative Studies on the Aesthetics and Politics of Performance in Europe, 1925-1945


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“There can be no doubt that the economic crisis of the early 1990s [when this book was written I think] has led to a resurgence of phenomena that bear a close resemblance to the fascist mass movements resulting from the acute hardships endured during the early and the late 1920s.”
Apr 17, 2026 07:55AM
Fascism and Theatre: Comparative Studies on the Aesthetics and Politics of Performance in Europe, 1925-1945


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“…the atrocities committed against the internal opposition…”
Apr 17, 2026 03:13AM
Fascism and Theatre: Comparative Studies on the Aesthetics and Politics of Performance in Europe, 1925-1945


antiz
antiz is starting
“Do we seriously believe that we would have been immune? (…) It had filled us with horror to realize all that man is capable of, and of which, therefore, we too are capable. (C.G. Jung, Zurich 1946)
Apr 17, 2026 03:12AM
Fascism and Theatre: Comparative Studies on the Aesthetics and Politics of Performance in Europe, 1925-1945


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