Murray’s Reviews > In Montmartre: Picasso, Matisse and the Birth of Modernist Art > Status Update
Murray
is on page 241 of 384
His plates showed models in motion - leaning over, turning aside, conversing - against stylishly minimalist backgrounds. This was a new vision of women, quite different from the ramrod-straight models posed in ornate settings cluttered with plants, screens and art nouveau furniture which had characterized the fashion plates of earlier years.
Modernist art was not just about paintings 🖼️
— May 04, 2026 10:46PM
Modernist art was not just about paintings 🖼️
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Murray’s Previous Updates
Murray
is on page 125 of 384
Matisse and Picasso had their lean years. Not selling. Few shows. But they kept going.
Matisse’s art went from shades of gray to thousands of minute points of paint working together to create an image to - after a long hot summer at a fishing village by the sea - huge swaths of color that made his pictures explode.
Picasso went from his grim Blue Period to the warmth and humanity of art the color of roses.
— May 02, 2026 09:15PM
Matisse’s art went from shades of gray to thousands of minute points of paint working together to create an image to - after a long hot summer at a fishing village by the sea - huge swaths of color that made his pictures explode.
Picasso went from his grim Blue Period to the warmth and humanity of art the color of roses.
Murray
is on page 103 of 384
I’m unable to put this book down. It reads like a novel. Romance, tragedy, heroism. These women and men are determined to be artists even if the sales and money are not there (think Van Gogh). Picasso is in his Blue Period (painting what the public saw as depressing works though I love The Old Guitarist) followed by his upbeat Rose Period (la grâce des femmes). Neither him nor Matisse can get shows or sell art.
— May 01, 2026 09:33PM
Murray
is on page 75 of 384
Fascinating. I love reading about the lives of artists - whether they be musicians, painters, writers, dancers, theatrical 🎭 so long as the focus is on their art and the significant relationships in their lives (not gossipy). This book is alive with paint and and exploring new ways to create and bring the mundane (as some see it) to color and to life.
— May 01, 2026 09:56AM
Murray
is on page 50 of 384
For Vlaminck, subjective expression was not so much an aesthetic as a personal compulsion, a private quest driven by a tremendous urge to re-create a new world seen through my own eyes, a world which was entirely pure. ‘I was poor, but I knew that life was something pure, and I realized that all I wanted to do was to find some new and profound way of identifying myself with the soil.'
🖼️ 🎨
— Apr 29, 2026 09:47AM
🖼️ 🎨
Murray
is 5% done
I waited for this in the mail which is a vibe you cannot get from an ebook 🙌🏼
🔆(ebooks have different vibes)
Fun to find a book in an envelope at the door🚪📖 💕 ahhh the scent ! and the rich touch on the fingertips of paper 📄
— Apr 27, 2026 11:14AM
🔆(ebooks have different vibes)
Fun to find a book in an envelope at the door🚪📖 💕 ahhh the scent ! and the rich touch on the fingertips of paper 📄
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Pia G.
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May 05, 2026 08:24AM
Murray, this made me think about how the idea of representation in iconography is shifting; the figure no longer functions as a symbol of something, but seems to gain meaning through its presence within a moment.
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Indeed. There is more fluidity. And the growth of the hologram and holography speaks precisely to what you’ve mentioned.
You're right. Holograms really are the ultimate version of being in the moment, they have no mass, they're just light and time. Maybe art isn't about leaving a permanent mark anymore, but just about the vibe of that brief, fleeting encounter.
Yes Matisse and Picasso et al were talking like you over 100 years ago as art changed from being imitative to abstract and motion pictures swamped reality as we knew it then and made everything move

