Tatevik’s Reviews > Making it Up > Status Update

It seems to me that writing is an extension of reading step that not every obsessive reader is impelled to take, but, for those who do so, one that springs from serendipitous reading. Books beget books.

She had wondered about having a child, and believed that he did the same, though nothing was said. And then something happened: feeling had withered, she no longer smiled at the sound of his key in the lock, she found herself treasuring time to herself. And she saw that this was so for him too. They became like courteous strangers, skirting any serious engagement. And, eventually, fell apart.

She was alone, but not lonely. Once, she had lived with a man.
She knew all about being half of a couple-about living with someone else's views, foibles, habits, their way of folding a news-paper, washing a plate. She knew that curious fusion of companionship and private distance; she knew about good sex and bad sex and sudden quarrels and the warm glow of reconciliation.

And then, once in a while, she would wake in the night, often after some dream in which she had been a child again, or some younger self, and would lie there thinking: I am forty-seven, for heaven's sake, and I don't know how this has come about. It was as though there were some baleful presence along. side, forcing her to stare at this unrelenting fact: look, look hard, and don't you forget it.

At forty-seven, Sarah occasionally felt that life had her by the scruff of the neck. Mostly, you could ignore the passage of time; that is to say, you tamed it, you reduced it to diary pages, to dates and days of the week, to the setting on the alarm clock or the start of a television program. You ignored the darker implications, the stalking footsteps.

It was because that is what history does to people. It picks them up by the scruff of the neck and puts them where they do not want to be. It scuppers them; it condemns them to national service and then throws them this, as an extra treat.

"I mean, in a sense I should actually be grateful to her. If she hadn't been the way she was, would I be who I am?
Look at it this way—maybe I needed that sort of kick-start. It's an old story, isn't it? Making good. I didn't exactly claw my way out of the gutter, but there's an analogy, don't you think?

By now, Chloe regarded her mother as simply a part of life's complexity. She could still be mildly irritated by Miranda but saw her as, essentially, the crucial directive element in her own struggle for fulfillment.

Chloe saw that a successful parent required the skills of an industrial arbitrator—the patience, the craft, the ability to identify and push forward a cohesive argument. Along with qualities of leadership and a taste for coercion. Well, she could supply all of that, given time and practice.

Beyond the intransigence of infants there lies the guile of childhood-the awesome powers of manipulation, the tenacity, the volatility, the flight from anything approaching consistency or rationality.