Ilse’s Reviews > Keeping an Eye Open: Essays on Art > Status Update
Ilse
is on page 106 of 276
Cézanne was well read in the classics; and also proved that it is possible, if rare, to be a Balzacian, a Stendhalian and a Flaubertian all at the same time. Monet called him 'a Flaubert of painting': certainly, Cézanne had the monkishness required; also the belief that the artist behind the art should remain obscure. Though he was also - unlike Flaubert - rather prudish and proper when it came to women.(1/2)
— 19 hours, 9 min ago
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Ilse
is on page 105 of 276
Zola needed his literary success to be expressed in material terms: big house, fine food, social advancement, bourgeois respectability, whereas the better known Cézanne became, the more he avoided the world. In his later years, the painter was living in a quarry, seeing as few people as possible, and reading Flaubert. In the modern world, one of St Antony's temptations would be that of artistic success.
— May 20, 2026 02:50AM
Ilse
is on page 8 of 276
Flaubert believed it was impossible to explain one art form in terms of another & great paintings required no words of explanation.Braque thought the ideal state would be reached when we said nothing at all in front of a painting.But we are very far from reaching that state.We remain incorrigibly verbal creatures who love to explain things, to form opinions.It is a rare picture which stuns,or argues, us into silence.
— Jan 21, 2026 08:47AM
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19 hours, 7 min ago
"Cézanne deeply disapproved of Zola's sale-bourgeois maid-tupping; and when, in old age, he painted female bathers, he used the life-drawings from his younger days rather than trouble a model (and perhaps, himself)."
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I guess then that he might not have liked that he has himself become an object of fascination alongside his art?



