Jacques Picton’s Reviews > Pond > Status Update

Jacques Picton
Jacques Picton is on page 50 of 148
I’m starting to think the narrator’s first language is observation. She finds meaning in the physical world and sees beauty in things like the stones in her cottage wall. This seems to contrast with how she views other people and the way they interact with the world.
Jun 03, 2026 03:29PM
Pond

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Jacques Picton
Jacques Picton is on page 122 of 148
The Gloves Are Off might be my favourite so far. The disappointment over the reeds being from Turkey rather than the River Shannon made me laugh but also felt strangely sad. The narrator does not just love objects themselves but the worlds she imagines around them, and there is something moving about watching reality interrupt those possibilities.
Jun 10, 2026 11:45PM
Pond


Jacques Picton
Jacques Picton is on page 104 of 148
The Deepest Sea complicates the narrator’s relationship with objects. The fountain pens are another example of how she finds meaning in small physical things, but they also reveal how objects carry memories and connections to people. She seems drawn not just to things themselves, but to the stories and imagined possibilities she builds around them.
Jun 10, 2026 04:44AM
Pond


Jacques Picton
Jacques Picton is on page 86 of 148
Just finished “control knobs”. I love how the narrator’s thoughts spiral from the smallest details into whole imagined worlds. An oven is never just an oven and a cucumber is never just a cucumber.
Jun 07, 2026 11:40PM
Pond


Jacques Picton
Jacques Picton is on page 63 of 148
I’ve just read “to a god unknown”. She writes about a storm. I would actually say she is personifying it, but not in a conventional way. Personification doesn’t necessarily mean “turning something into a human because humans are the centre of everything.” For her, it almost feels like the reverse. She doesn’t elevate nature by making it human; she treats nature as already possessing its own presence.
Jun 06, 2026 03:10AM
Pond


Jacques Picton
Jacques Picton is on page 42 of 148
In The Big Day, I’m noticing again that the narrator gives more emotional weight to objects and the natural world than to people. The neighbours remain on the outside both literally and figuratively. She can turn something as ordinary as a portaloo into an ally, yet seems unable or unwilling to find the same camaraderie with those around her.
Jun 03, 2026 03:00PM
Pond


Jacques Picton
Jacques Picton is on page 22 of 148
I already find being inside this narrator’s head strangely comforting. I feel like I know less about the facts of her life and more about the way she sees the world, the tiny habits, preferences and observations that make up a person. It reminds me of Amélie.

The green bananas stayed with me: such a small detail, but because I also like my bananas slightly underripe, it created a feeling of recognition.
Jun 02, 2026 02:21PM
Pond


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