radhika morabia’s Reviews > Selected Writings on Art and Literature > Status Update

radhika morabia
radhika morabia is on page 47 of 464
I was going to skip reading the rest of the Salons because I found 1845 so hard to follow and then he starts with this banger which this blog summarized here: https://www.themarginalian.org/2016/0...

What the hell Baudelaire?? Speaking directly to the modern middle class here. How do I learn to feel?
— Jul 02, 2026 08:08PM
Selected Writings on Art and Literature

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radhika morabia
radhika morabia is on page 115 of 464
— Jul 14, 2026 11:03PM
Selected Writings on Art and Literature


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message 1: by radhika (new) - added it

radhika morabia The governance of the state is yours, and that is as it should be, because you have the power. But you must also be capable of feeling beauty, for just as not one of you today has the right to forgo power, equally not one of you has the right to forgo poetry. You can live three days without bread; without poetry, never; and those of you that maintain the contrary are mistaken; they do not know themselves.

[…]

Enjoyment is a science, and the exercise of the five senses demands a special initiation that can be achieved only by willingness to learn and by need.

And you need art, make no mistake.

Art is an infinitely precious possession, a refreshing and warming drink that restores the stomach and the mind to the natural balance of the ideal.


message 2: by radhika (new) - added it

radhika morabia A keener desire, a more active reverie, will at such moments prove a relaxation from your daily strivings. But the monopolists have tried to keep you away from the fruits of knowledge, because knowledge is their counter and their shop, to be guarded jealously. If they had denied you the power of creating works of art or of understanding the techniques used in their creation, they would have been proclaiming a truth that you would not have taken offense at, because public business and trade absorb three quarters of your day. As for the leisure hours, they must therefore be used for enjoyment and pleasure.

But the monopolists have decreed that you shall not have the right to enjoyment, because you lack the technical knowledge of the arts, although possessing that of the law and business.

Yet it is only right, if two thirds of your time is taken up by techniques, that the other third should belong to feeling, and it is by feeling alone that you are to understand art; — and that is how the balance of your spiritual forces will be built up… Just as you have extended men’s rights and benefits in your political life, so you have stablished in the arts a greater and more abundant communion.


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