Juan’s Reviews > Yumi and the Nightmare Painter > Status Update

Juan
Juan is 10% done
Yumi is starting to be painted (hehe) as a very interesting character. The yoki-hijo’s ability to “entertain” and summon spirits to help the people of Torio via rock balancing is interesting.

Poor Yumi is also struggling with her identity and want, isolating but also stressing herself (to the point of collapse :( )
Jul 28, 2026 02:45PM
Yumi and the Nightmare Painter (Hoid's Travails, #2)

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Juan’s Previous Updates

Juan
Juan is 70% done
I am loving this book! Yumi and Nikoro’s journey together has been such a great tale thus far. Painter learning from Yumi to stack, Fearing the machine & scholars replacement of the yoki-hijo. On the other hand, Yumi learning to paint, to be independent and take ownership of her life, friends etc. i hope they end up together (eventho they can’t physically :( )

Scared abt the stable nightmare! Yumi ran into it
Aug 03, 2026 09:24AM
Yumi and the Nightmare Painter (Hoid's Travails, #2)


Juan
Juan is 22% done
I’m loving it so far!! It’s such a good story, up until chapter 5-6 or so it started setting up the world, picked up immensely once the stable nightmare popped up, yumi’s conflicting/unsettling scenario with the spirit, and their freaky friday ordeal. I’m intrigued!!
Jul 29, 2026 08:56PM
Yumi and the Nightmare Painter (Hoid's Travails, #2)


Juan
Juan is 4% done
Town is actually Kilahito!! They have brushes, which I’m assuming allows them to paint weapons or act as weapons against nightmares. Similar to Sai from Naruto?

Painter is 19 y/o, loner, lanky, stoic, but he does want a companion or friend. Akane (woman) & Tojin (man) are also painters. They tease him but he doesn’t feel he belongs.

Outsider :(

Briefly mentioned Yumi (haven’t started chapter 2 yet)
Jul 28, 2026 06:58AM
Yumi and the Nightmare Painter (Hoid's Travails, #2)


Juan
Juan is starting
Introduced to the Painter (Nikaro) and his role in the town of Hilahito (?)
Jul 28, 2026 06:48AM
Yumi and the Nightmare Painter (Hoid's Travails, #2)


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