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10 hours, 39 min ago
The Picture of Dorian Gray

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Preface: art is a reflection of the consumer/critic, with no moral standing of its own.

What the hell is he cooking here? Plenty of art takes a moral stance. Even something like a Greek sculpture will belie some vice/virtue: physical strength, heroism, etc.

Dorian's portrait will come to reflect the ugliness of his soul, but how does the critic/consumer play into this?
11 hours, 53 min ago
The Picture of Dorian Gray


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message 1: by Seth (new) - added it

Seth Dorian Gray is the paragon of innocence. Henry, the snake in the garden, convinces Dorian that, because his youth is fleeting, he should not waste his best years living for others; he should give in to hedonism and "realize his own nature" which is apparently one of selfishness.

Henry claims to Dorian that beauty is better than genius. However, earlier he said to Basil that genius lasts longer than beauty. Is Henry being disingenuous/deceitful here or does he believe both to be true?

When Dorian sees the portrait, he becomes aware of his own beauty, and perhaps its own fleeting nature (Genesis 3:7?). He offers his soul to reverse the roles. The devil has him in his clutches!


message 2: by Seth (new) - added it

Seth Chapter 3: Henry finds out about Dorian's parents. He attends lunch with Dorian and company, ensnaring them with his words and convincing them to sin. More seeming paradoxes: he insults reason yet praises science, takes pleasure in the influence he has on Dorian (despite earlier claiming influence to be immoral). What a snake!


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