Brandon’s Reviews > Much Ado About Nothing > Status Update
Brandon
is on page 90 of 178
In TOG’s production, the First Watchman is literate and has notes of Don John, Borachio and Conrad. This record and Dogberry’s confidence takedown/unmask the “honorable men,” Don Pedro and Claudio (V.i).
— 9 hours, 57 min ago
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Brandon
is on page 80 of 178
Beatrice persuades Benedict to kill his comrade Claudio. How interesting it must’ve been in Shakespeare’s day to listen to a young male say, “O that I had any friend would be a man for my sake! But manhood is melted into curtsies, vaulor into compliment, and men are only turned into tongue, and trim ones too” (VI.i). Did men in the audience become women’s friends?
— Sep 09, 2026 06:04PM
Brandon
is on page 78 of 178
What a tremendous line about plots intersecting! Beatrice says, “It were as possible for me to say I loved nothing so well as you, but believe me not: and yet I lie not. I confess nothing, nor I deny nothing. I am sorry for my cousin” (IV.i).
— Sep 09, 2026 05:52PM
Brandon
is on page 67 of 178
Borcachio and Margaret are attentive to the effects of “fashion” (III.iii and III.iv).
— Aug 28, 2026 11:28AM
Brandon
is on page 65 of 178
1st Viewing Suspense: listening to Dogberry and Verges describe hypothetical incidents, the audience feels the complexity of comic superiority to the clowning and yet anxiety that they will not detect Don John’s false accusations (III.iii). 2nd Viewing: the audience is charmed that justice can use asses like Dogberry and us.
— Aug 28, 2026 10:45AM
Brandon
is on page 59 of 178
Hero helps manipulate Beatrice at Leonato’s behest as directed by Don Pedro (54).
— Aug 25, 2026 10:13PM
Brandon
is on page 30 of 178
Don Leonato: “merry war betwixt….skirmish of wit between….” Euphony, and then….
Beatrice: “…four of his five wits went halting off….” appropriates Don Leonato’s metaphor, extending it as well as her critical portrayal of Benedict.
— Aug 20, 2026 11:28AM
Beatrice: “…four of his five wits went halting off….” appropriates Don Leonato’s metaphor, extending it as well as her critical portrayal of Benedict.

