Connie’s Reviews > Beginning Middle End: A Novel > Status Update
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Connie
is 72% done
“I suppose all we are ever doing is transmuting and translating: mountain to rock, rock to sand, sand to glass, glass to light, light to eyes, eyes to see, see to imagine, imagine to remember.”
— 20 hours, 35 min ago
Connie
is 70% done
“Because fiction is where memory and imagination meet.
What do you even mean, Ma?
Just that imagination looks forward and memory backward, and where the two meet, that's fiction.
That's absurd.
Why?
Because, if something looks forward and another thing looks backward, they don't ever see each other.”
— 20 hours, 37 min ago
What do you even mean, Ma?
Just that imagination looks forward and memory backward, and where the two meet, that's fiction.
That's absurd.
Why?
Because, if something looks forward and another thing looks backward, they don't ever see each other.”
Connie
is 66% done
“That moment is glass: a startlingly translucent, hard, and fragile moment of transition.”
— 20 hours, 40 min ago
Connie
is 64% done
“A boyfriend I had when I was in my early twenties used to say that the difference between porn and eroticism is only the amount of light. Maybe.”
— 20 hours, 42 min ago
Connie
is 61% done
“Perhaps there is one specific sentiment, a kind of longing or nostalgia, that can warp time strangely: I think, sometimes, I miss the present more than I miss the past. And perhaps that is a form of time travel.”
— 20 hours, 45 min ago
Connie
is 56% done
“It's strange to think that what was seemingly the destruction of a place by natural forces—an earthquake, a landslide—was in fact the reason for its eventual preservation, whatever destruction and preservation mean in the arches and warps of human history. For about six centuries, the mosaics in the villa remained in the dark, covered by mud and rocks, their colors protected from the sunlight.”
— 22 hours, 36 min ago
Connie
is 54% done
“Some art historians say that an archaeological site is always a destruction site. Is that true? Do we have to destroy things in order to see them, sever things in order to know them? And what kind of knowing is that?”
— 22 hours, 39 min ago
Connie
is 48% done
“But in the introduction to the Loeb edition of Hesiod's Theogony […] I read that Chaos, the divine entity, is best translated as Chasm and not Chaos, because, in Hesiod's time, "chaos" did not connote disarray, lack of order, and all those things it means for us today. Chaos was perhaps a gap, an opening.”
— 22 hours, 40 min ago
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20 hours, 43 min ago
“Of all the organs, the uterus is the most Sisyphean, always cycling, tirelessly weaving membrane over membrane in its concave pit, always starting all over again. When menstruation comes, when the copious release of matter begins, the uterus begins to shape itself slowly back into an empty space. I sense it, that vacuum, sometimes just a hint of it. Other times, I know it, entirely, with vertigo and with fear, the pit I hold. I would like to look inside myself and feel what some hypothetical archaeologist feels before excavating ruins: possibility, future. Instead, I see only doubt. But maybe doubt is another kind of drive, a different form of energy, internal, molecular, a potential energy that grows in silence, swells, and becomes. Doubt is like endometrium: matter in the inevitable and circular process of becoming, giving. It doesn't make anything, but it is there to be made into something. Or there to be left alone, palpitating.”
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