Matt Connors’s Reviews > The Metamorphosis and The Trial > Status Update
Matt Connors
is on page 135 of 236
K seems pretty hotheaded and self centered, pushing past people’s boundaries/emotions to satisfy his own curiosity/inclinations. Seems resentful of perceived slights; not very introspective. Kafka’s writing is odd in his syntax and overuses pronouns when referring to situations with multiple people (befuddled). I don’t think I fully understand k’s obsession with Bürstner, he doesn’t feel guilt it seems.
— Nov 05, 2026 09:05AM
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Matt Connors
is on page 142 of 236
K also shows genuine sympathy for the policemen, seeing them as low level in the org and victim to economic/oppressive systemic pressures, influencing their behavior. Seems K sees the policemen’s situation as a symptom of the higher up’s orchestrations, that him and the policemen are tormented by the same higher ups. It seems this situation causes k the most concern for others we read of
— Nov 05, 2026 10:02AM
Matt Connors
is on page 142 of 236
Again, it seems the environment and character’s behaviors/circumstances are dependent on K in some way, such as when the policemen are being whipped, K panics, shuts the door, and the screams are cut off; no more noise comes from the junk room. Not until the next day after k opens the door to find the objects and people just where he left them the day prior, do the screams resume, as if the scene paused for k
— Nov 05, 2026 09:48AM
Matt Connors
is on page 142 of 236
Returning to dreaminess, the policemen are being punished for bribery in the bank’s junk room that K works at; an odd space for a gov sentence to be carried out. Interesting the authorities are referred to not as the gov but an org of higher ups.
— Nov 05, 2026 09:43AM
Matt Connors
is on page 128 of 236
This last chapter was full of brazen assumptions of people’s intentions/characteristic by K, a bit of victim blaming from K and the husband of a woman routinely assaulted by husband’s superiors, and still maintains an odd dreaminess (odd office location/interior design, procedures of the court, other characters nonchalantly pointing out oddities occurring; acting not in surprise, acknowledging then carrying on)
— Nov 04, 2026 08:02AM
Matt Connors
is on page 104 of 236
Especially dreamy is K’s attempt to find the hearing, but isn’t told specific time or room/floor. He determines a time, that then the judge later holds him to, as if the time he made for himself, the world canonized. K comes to 4 stairways & thinks that the choice of stairs matter not for getting to the hearing based on previous words of a policeman, suggesting the room would find him, not visa versa (p92)
— Oct 28, 2026 08:26AM
Matt Connors
is on page 104 of 236
The Trial is interesting so far, very dreamy in the sense of normalized strangeness. Differ from common portrayals in media of government proceedings, investigations & hearings being at odd locations, agents calmingly indifferent, the lax attitude between hearings, the sameness of the tenant blocks & lives of inhabitants, other characters being indifferent or cryptic when hearing of the investigation of K (ch1&2)
— Oct 28, 2026 08:16AM
Matt Connors
is on page 60 of 236
Interesting social dynamics in the family with their emotional states swinging from moment to moment, influenced by the house and outside house environments. Anger/ignorance/blame of people for out of control situations give way to sorrow/grief and vice verse. Wishing to be understood, which if they took time to try to themselves understand and listen to Gregor behavior, may have noticed they were understood.
— Oct 11, 2026 09:52AM
Matt Connors
is on page 39 of 236
Seems like an allegory for the different circumstances people find themselves in, dealing with how others react to those circumstances, and managing oneself moment to moment, finding pleasures and pains. Exploring, enduring, adjusting to what is thrown at one/where one is placed.
— Oct 09, 2026 02:21PM
Matt Connors
is on page 39 of 236
@Ch3: pretty interesting concept. Writing is fine, a bit funny when in the perspective of Gregor and his lesser concern for his new form than those around him, worrying more about his human responsibilities and commitments. He deals with present moments, quickly wondering how to adjust and occupy himself, taking consideration for his family. He grieves not being able to serve his family, not his new state of life
— Oct 09, 2026 02:16PM

