Bea’s Reviews > It Girl: The Life and Legacy of Jane Birkin > Status Update
Bea
is on page 177 of 224
2/2 “…be understood when it’s viewed in its totality. She was a complex and flawed woman who navigated a web of ambitions, creativity, and relationships. Again and again, her image was taken away from her, and yet she worked to take it back and wrestle with her own history. It was not one outfit, one relationship, one song, or one role. Jane Birkin made herself real.”
— Nov 11, 2026 12:11PM
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Bea’s Previous Updates
Bea
is on page 177 of 224
1/ “Birkin’s career does not neatly fit into one clearly defined box. She was more than the sum of all those parts. Seeing her simply as an inspirational figure flattens her. By the end of her life, she’d moved on from her role as a muse. She was a tastemaker who changed the world around her, altered the cultural fabric of the times with her artistry and individuality. The nature of her fame can only really…
— Nov 11, 2026 12:10PM
Bea
is on page 163 of 224
2/2 “…there to comfort you, that I’ll be gone. I put you in orbit only to abandon you,’ she says, and then adds almost offhandedly that she needs to put everything in the girls’ names for the purposes of taxes and duties.”
— Nov 11, 2026 11:54AM
Bea
is on page 163 of 224
1/ “Birkin worried that, in the years following Kate’s death, she had been so wrapped up in her own distress that she didn’t think of her children who were alive; that she glorified Kate. She admits she spent sleepless nights wondering what it meant to have put three beings into the world: Who would die, and when, and how? Her own mortality was clearly at the top of her mind. ‘And the fact that I won’t be..
— Nov 11, 2026 11:53AM
Bea
is on page 162 of 224
2/ “…has been left untouched.
‘It smells the same,’ she says on-camera. ‘It’s almost like being in a dream.’ She remarked that the rue des Saints-Pères, a street perpendicular to rue de Verneuil, is like the mythological river Styx. ‘I don’t cross it. Everything that happened there seems to be from another time. As if this life belonged to another person. It’s strange.’”
— Nov 11, 2026 11:49AM
‘It smells the same,’ she says on-camera. ‘It’s almost like being in a dream.’ She remarked that the rue des Saints-Pères, a street perpendicular to rue de Verneuil, is like the mythological river Styx. ‘I don’t cross it. Everything that happened there seems to be from another time. As if this life belonged to another person. It’s strange.’”
Bea
is on page 162 of 224
1/ “The title of [Jane by Charlotte] is a conscious echo of the Agnès Varda documentary, positioning itself as a sort of sequel. But unlike the genre-bending creativity of Jane B. par Agnès V., the dialogue between the filmmaker and subject feels strained, even if the settings are familial: Birkin’s home, a visit to a bulldog breeder, Birkin’s first trip back to Serge Gainsbourg’s home, which
— Nov 11, 2026 11:47AM
Bea
is on page 53 of 224
“[Gainsbourg] wanted to isolate her; privately she found his antics exhausting enough that she second-guessed her choice to be with him. After filming La piscine, back in Paris in the fall of 1968, she admits in her diary that she became involved in this relationship too quickly: ‘Now he loves me and in a way I want that and I love him, and I also want the world because, through him, I began again.’”
— Oct 22, 2026 01:11PM
Bea
is on page 29 of 224
easier for me to read nonfiction in print than as an audiobook (unless it’s sthn simple like a celebrity memoir)
— Oct 21, 2026 02:40PM

