Paper and Porcelain’s Reviews > Hunger > Status Update

Paper and Porcelain
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Introductions, bibliographies, chronologies, and notes by every penman involved in the time-buried reascent - rejuvenating resurrection - of a book are impossible to weigh for relative value like the simple hedonism of diamonds and gold. They are the ponds and lakes of devotion gone into recalling a memory which was lost at one point, which holds most infinite merit when it is of a revolutionizing work of modernism.
— Nov 14, 2026 04:18AM
Hunger

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Paper and Porcelain Hamsun never exhibited shyness when it came to maximizing his sense of self. He went at the throats and quill-choking phalanxes of the old, obligated an urgency to renovate writing’s obsoleteness among the new, and toppled heights as summit-esque like those of the Nobel Prize and licked lows as bacteria-infested, betrayal-coated as befriending the occupier of his own home. Personal allegiances and politics out of the way, which are neither here nor there in the discussion of technical prowess and genre-bending, Knut insists in being an inventor and beholder of a field-expanding memory. Literature was leveled, flattened, and reurbanized because of him.


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