Mir’s Reviews > Miyazawa Kenji: Selections (Poets for the Millennium) > Status Update
Mir
is on page 149 of 274
You must make music out of it.
While others live in town or waste their time,
you alone will reap the grass in the stone field.
With that loneliness you must make music.
You must take all the insults and poverty, and sing.
— Oct 08, 2018 10:41AM
While others live in town or waste their time,
you alone will reap the grass in the stone field.
With that loneliness you must make music.
You must take all the insults and poverty, and sing.
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Mir’s Previous Updates
Mir
is on page 228 of 274
A ashiki bokko is a an adolescent-looking household guardian. The household thrives as long as they remain, and declines if they leave.
— Oct 09, 2018 10:47AM
Mir
is on page 211 of 274
I don't think I've read any poems before describing so specifically what it feels like to be dying slowly from something, with no allusions to God, the afterlife, philosophy, etc.
— Oct 09, 2018 10:08AM
Mir
is on page 204 of 274
None of these things seems mine anymore
except it's me who manages to think like this
damn it! thinking's just thinking
how the hell do you know it's you?
well then do you mean I don't exist...
of shit! don't start that now
— Oct 09, 2018 09:06AM
except it's me who manages to think like this
damn it! thinking's just thinking
how the hell do you know it's you?
well then do you mean I don't exist...
of shit! don't start that now
Mir
is on page 165 of 274
If he, unable to fathom
what kind of monstrous thought I have in me,
is looking at me like that,
I'd say he's fearful of me.
If I say things more clearly
and act more normally for a while,
that too will fade...
— Oct 08, 2018 01:37PM
what kind of monstrous thought I have in me,
is looking at me like that,
I'd say he's fearful of me.
If I say things more clearly
and act more normally for a while,
that too will fade...
Mir
is on page 139 of 274
I prefer Snyder's translation of "Some Views Concerning the Proposed Site of a National Park" to Sato's
— Sep 30, 2018 05:14PM
Mir
is on page 132 of 274
EXCURSION PERMIT
Can you tell the random trails of wild horses
from the real paths?You say, plantains, sainfoins,
but do you know what they really look like?
Can you pass by identical yellow hills
keeping track of them all?
Look at the firelines on your map.
How can you tell them from the ones made later?
Do you know what the underground stream is like
in peat strata?
— Sep 28, 2018 03:36PM
Can you tell the random trails of wild horses
from the real paths?You say, plantains, sainfoins,
but do you know what they really look like?
Can you pass by identical yellow hills
keeping track of them all?
Look at the firelines on your map.
How can you tell them from the ones made later?
Do you know what the underground stream is like
in peat strata?
Mir
is on page 110 of 274
THE SEA-ERODED TABLELAND
After the sun enters the final sextant,
the sky grows totally dull,the tableland hazy, like the sea of boundless desire...
The sea the color of illusion
sadly yet nostalgically
bites into the chest of the spring of continence...
[cont.]
— Sep 28, 2018 01:38PM
After the sun enters the final sextant,
the sky grows totally dull,the tableland hazy, like the sea of boundless desire...
The sea the color of illusion
sadly yet nostalgically
bites into the chest of the spring of continence...
[cont.]
Mir
is on page 97 of 274
Ah reason tries to persuade me again and again
but my loneliness remains uncured.
A different space that I do not feel
reflects a phenomenon, which was with me until now.
That's what makes me lonely.
(We call that loneliness death.)
--excerpt from "Volcano Bay: A Nocturne" (one of the several poems he wrote shortly after his sister's death.)
— Jul 13, 2018 11:07AM
but my loneliness remains uncured.
A different space that I do not feel
reflects a phenomenon, which was with me until now.
That's what makes me lonely.
(We call that loneliness death.)
--excerpt from "Volcano Bay: A Nocturne" (one of the several poems he wrote shortly after his sister's death.)
Mir
is on page 64 of 274
...
Because, as we perceive our senses,
landscapes, and personalities,
just as we all merely perceive them,
so the records and histories, or the history of the earth,
together with their various data,
(under the temporal, spatial restrictions of karma)
are no more than what we perceive.
[cont.]
— Jun 19, 2018 01:55PM
Because, as we perceive our senses,
landscapes, and personalities,
just as we all merely perceive them,
so the records and histories, or the history of the earth,
together with their various data,
(under the temporal, spatial restrictions of karma)
are no more than what we perceive.
[cont.]

