Kyle’s Reviews > Politics and the Arts: Letter to M. D'Alembert on the Theatre > Status Update
Kyle
is on page 57 of 196
Turning his attention away from the religious matters which got Jean-Baptiste in enough trouble from other quarters, Jean-Jacques gets around to his major complaints about theatre: tragedies are immoral, comedies are even worse and the focus on women prompts Rousseau to share some of his unenlightened thoughts about man true place, i.e., making boring, useful furniture and not daring to dream of what might have been.
— May 28, 2019 11:18PM
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Kyle’s Previous Updates
Kyle
is on page 148 of 196
As the intellectual tirade against modern flourishes that a theatre would bring to Geneva draws to a close, Rousseau starts to resemble a befuddled old man longing for the supposedly simple life. One can imagine him shuffling along the carriage-less streets, recalling his countrymen carousing in public spaces while dreaming of chaste debutante-ish balls for beautiful young couples as the city refuses its development.
— Jun 02, 2019 06:31AM
Kyle
is on page 113 of 196
The seemingly sensible arguments put first: theatres require an infrastructure Geneva is not prepared for, morals like such roadways and clothing shops are not a reality in such a small town. The immorality of actors and actresses in the same building is mildly dubious, but something snaps in Rousseau’s reasoning and he suddenly get very defensive over tobacco and booze-filled men’s clubs with ironical allowed vices.
— May 30, 2019 08:36PM
Kyle
is on page 27 of 196
Mon dieu! For someone so opposed to the public consumption of drama, Rousseau makes a meal of his theatrical protestations with as much gusto as a Monty Pythonesque impersonation of a maître d’ with the outrageous accent: “but my dear friend, I must object,” “your views on religion, while inconsequential, are still horrendous” and “I cannot abide your sense of morals, and will go to great lengths to tell you why so.”
— May 27, 2019 08:59PM
