Elisefur’s Reviews > Contemporary Korean Art: Tansaekhwa and the Urgency of Method > Status Update

"For him [Yun Hyongkeun], the challenge lay in thinking about the role of unmarked spaces without having to appeal to ideas like the void [yobaek], which despite its long-standing position in discourses of ink painting, tended to be invoked within the contemporary art context as a metaphor of Asianness."