Daisy’s Reviews > Giorgio de Chirico: The Changing Face of Metaphysical Art > Status Update
Daisy
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Heraclitus "teaches us that time does not exist and that the past is equal to the future on the great curve of eternity. Perhaps the Romans wanted the image of Janus, the double-faced god (Janus Bifrons), to mean the same thing; and each night a dream, during the deepest hour of rest, shows us that the past is equal to the future, memory that mixes with prophecy in a mysterious marriage."
— Mar 16, 2024 02:09PM
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Daisy
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O Quetzalcoatl
Strident rigid banner of zinc
black above the roof tiles of my paternal
house, which I will never see again.
Magnetic pole in the snowy air.
On the sidewalk white with dust and cold, étrange jouet, of my already far-off
childhood.
I think of a city in Alaska on a winter
morning, white below the white
mountains, near the dark
sea.
— Mar 18, 2024 06:37PM
Strident rigid banner of zinc
black above the roof tiles of my paternal
house, which I will never see again.
Magnetic pole in the snowy air.
On the sidewalk white with dust and cold, étrange jouet, of my already far-off
childhood.
I think of a city in Alaska on a winter
morning, white below the white
mountains, near the dark
sea.
Daisy
is on page 5 of 247
In Apollinaire's review of de Chirico's work on show at the Salon des Indépendants of 1914, he observed how "(the strangeness of the plastic enigmas that M. de Chirico offers to us is still lost upon the majority. It is that most modern of resources, surprise, upon which this painter draws in order to depict the fatal character of modern things."
— Mar 16, 2024 01:17PM
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Mar 16, 2024 02:11PM
Letter to Apollinaire (1916), Heraclitus’ teachings on eternal recurrence were considered by Nietzsche
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Hebdomeros, the protagonist of de Chirico's 1929 novel, declares: "You mustn't gallop along on the back of fantasy, he used to say. 'What is needed is discovery, for in discovering things you make life possible in the sense that you reconcile it with its mother Eternity; in making discoveries you pay your tribute to that minotaur which men call Time and which they represent as a tall, withered old man, seated in pensive fashion between a scythe and an hour-glass?”

