Octave Mirbeau > Quotes

“You're obliged to pretend respect for people and institutions you think absurd. You live attached in a cowardly fashion to moral and social conventions you despise, condemn, and know lack all foundation. It is that permanent contradiction between your ideas and desires and all the dead formalities and vain pretenses of your civilization which makes you sad, troubled and unbalanced. In that intolerable conflict you lose all joy of life and all feeling of personality, because at every moment they suppress and restrain and check the free play of your powers. That'€™s the poisoned and mortal wound of the civilized world.”
― Octave Mirbeau

“‎The greatest danger of a terrorist's bomb is in the explosion of stupidity that it provokes.”
― Octave Mirbeau

“Come now, don't make such a funeral face. It isn't dying that's sad; it's living when you're not happy.”
― Octave Mirbeau, Le Jardin des supplices

“What else do you do there except lie—lie to yourself and others, lie about everything you recognize in your heart to be true? You’re obliged to pretend respect for people and institutions you think absurd. You live attached in a cowardly fashion to moral and social conventions you despise, condemn, and know lack all foundation. It is that permanent contradiction between your ideas and desires and all the dead formalities and vain pretences of your civilization which makes you sad, troubled and unbalanced. In that intolerable conflict you lose all joy of life and all feeling of personality, because at every moment they suppress and restrain and check the free play of your powers. That’s the poisoned and mortal wound of the civilized world.”
― Octave Mirbeau, The Torture Garden

“While I was an honorable man in her eyes, she did not love me. But the minute she understood what I was, when she breathed the true and foul odor of my soul, love was born in her – for she does love me! Well, well! There is nothing real, then, except evil.”
― Octave Mirbeau

“Monsters, monsters! But there are no monsters! What you call monsters are superior forms, or forms beyond your understanding. Aren't the gods monsters? Isn't a man of genius a monster, like a tiger or a spider, like all individuals who live beyond social lies, in the dazzling and divine immortality of things? Why, I too then-am a monster!”
― Octave Mirbeau, Torture Garden

“Everything she heard, everything she saw seemed to be in disagreement with her own manner of understanding and feeling. To her, the sun did not appear red enough, the nights pale enough, the skies deep enough. Her fleeting conception of things and beings condemned her fatally to a perversion of her senses, to vagaries of the spirit and left her nothing but the torment of an unachieved longing, the torture of unfulfilled desires.”
― Octave Mirbeau, Le Calvaire

“I desire her and I hate her. I would like to take her in my arms and embrace her till she smothered, till she was crushed and I could drink death from her gushing veins.”
― Octave Mirbeau, Torture Garden

“Woman possesses the cosmic force of an element, an invincible force of destruction, like nature's. She is, in herself alone, all nature! Being the matrix of life, she is by that very fact the matrix of death - since it is from death that life is perpetually reborn, and since to annihilate death would be to kill life at its only fertile source.”
― Octave Mirbeau, The Torture Garden

“Why, flowers are violent, cruel, terrible, splendid...like love.”
― Octave Mirbeau, Torture Garden

“Wherever he goes, whatever he does, he will always see that word: murder—immortally inscribed upon the pediment of that vast slaughterhouse—humanity.”
― Octave Mirbeau, The Torture Garden

“Alas, the gates of life never swing open except upon death, never open except upon the palaces and
gardens of death. And the universe appears to me like an immense, inexorable torture-garden… What I
say today, and what I heard, exists and cries and howls beyond this garden, which is no more than a
symbol to me of the entire earth.”
― Octave Mirbeau, The Torture Garden

“After two years' absence she finally returned to chilly Europe, a trifle weary, a trifle sad, disgusted by our banal entertainments, our shrunken landscapes, our impoverished lovemaking. Her soul had remained over there, among the gigantic, poisonous flowers. She missed the mystery of old temples and the ardor of a sky blazing with fever, sensuality and death. The better to relive all these magnificent, raging memories, she became a recluse, spending entire days lying about on tiger skins, playing with those pretty Nepalese knives 'which dissipate one's dreams'.”
― Octave Mirbeau

“I did not know what she suffered from, but I knew that her malady must have been horrible; I knew that from the way she used to embrace me.”
― Octave Mirbeau, Le Calvaire

“VOTERS STRIKE!
...above all, remember that he who solicits your vote is by that very fact revealed as a scoundrel, since in exchange for your advantage and fortune he promises a cornucopia of marvels he'll never deliver because he hasn't the power to deliver them. the man you elect represents neither your misery nor your aspirations- nor anything else of yours- but rather his own interests, which are all opposed to yours...do not imagine that the sorry spectacle at which you assist today is peculiar to one epoch or one regime, and that it will pass away. all epochs and all regimes are worth the same- that is, they are worthless. so go home, my good chap, and go on strike against universal suffrage. I tell you, you've nothing to lose... and at least it should keep you amused for a while. I tell you, good chap! go home! go on strike!”
― Octave Mirbeau

“On the street, men appeared to me like mad ghosts, old skeletons out of joint, whose bones, badly strung together, were falling to the pavement with a strange noise. I saw the necks turning on top of broken spinal columns, hanging upon disjointed clavicles, arms sundered from the trunks, the trunks themselves losing their shape. And all these scraps of human bodies, stripped of their flesh by death, were rushing upon one another, forever spurred on by a homicidal fever, forever driven by pleasure, and they were fighting over foul carrion.”
― Octave Mirbeau

“The Occidental snobbery which is invading us, the gunboats, rapid-fire guns, long-range rifles, explosives... what else? Everything which makes death collective, administrative and bureaucratic - all the filth of your progress, in fact - is destroying, little by little, our beautiful traditions of the past. ”
― Octave Mirbeau

“In that atrocious second I understood that desire can attain the darkest human terror and give an actual idea of hell and its horror.”
― Octave Mirbeau, The Torture Garden

“You're obliged to pretend respect for people and institutions you find absurd. You live attached in a cowardly fashion to moral and social conventions you despise, condemn, and know lack all foundation. It is that permanent contradiction between your ideas and desires and all the dead formalities and vain pretenses of your civilization which makes you sad, troubled and unbalanced. In that intolerable conflict you lose all joy of life and feeling of personality, because at every moment they suppress and restrain and check the free play of your powers. That's the poisoned and mortal wound of the civilized world.”
― Octave Mirbeau

“Yes, there are some backs on the street
which cry for the knife.”
― Octave Mirbeau, The Torture Garden

“I was thinking of love,' I replied in a tone of reproach, 'and here you are talking to me again—forever—about torture!'
'Doubtless! since it's the same thing—”
― Octave Mirbeau, The Torture Garden

“Have you ever been at a festival when you were sad or ill? Well, then you’ve felt how much your sadness was irritated and exasperated, as by an insult, by the joyful faces and the beauty of things. It’s an intolerable feeling. Think of what it must mean to a victim who is going to die under torture. Think how much the torture is multiplied in his flesh and his soul by all the splendour which surrounds him; and how much more atrocious is his agony, how much more hopelessly atrocious, darling!”
― Octave Mirbeau, The Torture Garden

“You know how much Annie loved pearls. She owned some incomparable specimens…the most marvelous, I believe, that ever existed. You also remember the almost physical joy, the carnal ecstasy, with which she adorned herself with them. Well, when she was sick that passion became a mania with her…a fury, like love! All day long she loved to touch them, caress them and kiss them; she made cushions of them, necklaces, capes, cloaks. Then this extraordinary thing happened; the pearls died on her skin: first they tarnished, little by little…little by little they grew dim, and no light was reflected in their luster any more and, in a few days, tainted by the disease, they changed into tiny balls of ash. They were dead, dead like people, my darling. Did you know that pearls had souls? I think it’s fascinating and delicious. And since then, I think of it every day.”
― Octave Mirbeau, The Torture Garden

“To Priests, Soldiers, Judges- to men who rear, lead or govern men I dedicate these pages of murder and blood.”
― Octave Mirbeau, The Torture Garden

“Look here, before you and around you! There is not a grain of sand that has not been bathed in blood, and what is that grain of sand itself, if not the dust of death? But how rich this blood is, and how fertile is the dust!”
― Octave Mirbeau, The Torture Garden

“Look! when I am in a drawing room, a church, a station; on the terrasse of a cafe, at the theatre or wherever crowds pass or loiter, I enjoy considering faces from a strictly homicidal point of view. For you may see by the glance, by the back of the neck, the shape of the skull, the jaw bone and zygoma of the cheeks, or by some part of their persons that they bear the stigmata of that psychological calamity known as murder. It is scarcely an aberration of my mind, but I can go nowhere without seeing it flickering beneath eyelids, or without feeling its mysterious contact in the touch of every hand held out to me. Last Sunday I went to a town on the festival day of its patron saint. In the public square, which was decorated with foliage, floral arches, and poles draped with flags, was grouped every kind of amusement common to that sort of public celebration—And beneath the paternal eye of the authorities, a swarm of good people were enjoying themselves. The wooden horses, the roller-coaster and the swings drew a very meagre crowd. The organs wheezed their gayest tunes and most bewitching overtures in vain. Other pleasures absorbed this festive throng. Some shot with rifles, pistols, or the good old crossbow at targets painted like human faces; others hurled balls, knocking over marionettes ranged pathetically on wooden bars. Still others, mallet in hand, pounded upon a spring which animated a French sailor who patriotically transfixed with his bayonet a poor hova or a mocking Dahomean. Everywhere, under tents or in the little lighted booths, I saw counterfeits of death, parodies of massacre, portrayals of hecatombs. And how happy these good people were!”
― Octave Mirbeau, Le Jardin des supplices

“I understood that the law of the world was strife; an inexorable, murderous law, which was not content with arming nation against nation but which hurled against one another the children of the same race, the same family, the same womb. I found none of the lofty abstractions of honor, justice, charity, patriotism of which our standard books are so full, on which we are brought up, with which we are lulled to sleep, through which they hypnotize us in order the better to deceive the kind little folk, to enslave them the more easily, to butcher them the more foully.”
― Octave Mirbeau

“On ne se doute pas de tous les embêtements dont sont poursuivis les domestiques, ni de l’exploitation acharnée, éternelle qui pèse sur eux. Tantôt les maîtres, tantôt les placiers, tantôt les institutions charitables, sans compter les camarades, car il y en a de rudement salauds. Et personne ne s’intéresse à personne. Chacun vit, s’engraisse, s' amuse de la misère d' un plus pauvre que soi. Les scènes changent ; les décors se transforment ; vous traversez des milieux sociaux différents et ennemis ; et les passions restent les mêmes, les mêmes appétits demeurent. Dans l’appartement étriqué du bourgeois, ainsi que dans le fastueux hôtel du banquier, vous retrouvez des saletés pareilles, et vous vous heurtez à de l’inexorable. Enfin de compte, pour une fille comme je suis, le résultat est qu’elle soit vaincue d' avance, où qu' elle aille et quoi qu' elle fasse. Les pauvres sont l’engrais humain où poussent les moissons de vie, les moissons de joie que récoltent les riches, et dont ils mésusent si cruellement, contre nous...”
― Octave Mirbeau

“Was ich den Pyrenäen am meisten vorwerfe, ist, dass sie ein Gebirge sind ...”
― Octave Mirbeau

“(Our) thoughts feelings, and loves are a whirlwind. Everywhere life is rushing insanely like a cavalry charge. . . . Everything around a man jumps, dances, gallops in a movement out of phase with his own.”
― Octave Mirabeau