Makoto Fujimura > Quotes

“Effective stewardship leads to generative work and a generative culture. We turn wheat into bread—and bread into community. We turn grapes into wine—and wine into occasions for joyful camaraderie, conviviality, conversation, and creativity. We turn minerals into paints—and paints into works that lift the heart or stir the spirit. We turn ideas and experiences into imaginative worlds for sheer enjoyment and to expand the scope of our empathy.”
― Makoto Fujimura, Culture Care: Reconnecting with Beauty for Our Common Life

“Mearcstapa is not a comfortable role. Life on the borders of a group— and in the space between groups—is prone to dangers literal and figurative, with people both at “home” and among the “other” likely to misunderstand or mistrust the motivations, piety, and loyalty of the border-stalker. But mearcstapa can be a role of cultural leadership in a new mode, serving functions including empathy, memory, warning, guidance, mediation, and reconciliation. Those who journey to the borders of their group and beyond will encounter new vistas and knowledge that can enrich the group.”
― Makoto Fujimura, Culture Care: Reconnecting with Beauty for our Common Life

“According to Flaubert, the artist inhabits his or her work as God does: present everywhere, but visible nowhere.”
― Makoto Fujimura, Silence and Beauty: Hidden Faith Born of Suffering

“Our failure is not that we chose earth over heaven: it is that we fail to see the divine in the earth, already active and working, pouring forth grace and spilling glory into our lives. Artists, whether they are professed believers or not, tap into this grace and glory. There is a "terrible beauty" operating throughout creation. If Christ announced his postresurrection reality into the darkness, even into hell, as the Bible and Christian catechism suggests, then, as theologian Abraham Kuyper put it, there is not one inch of earth that Christ does not call "Mine!”
― Makoto Fujimura, Silence and Beauty: Hidden Faith Born of Suffering

“Where does this openness to the “other” come from in artists? Some may grow out of empathy earned because artists are themselves often exiled from a normative tribal identity. There is also training to extend that empathy. In art, we constantly train ourselves to inhabit or portray the “other.” Artists learn to be adaptable and blend into an environment while not belonging to it, which also requires learning to speak new tribal languages.”
― Makoto Fujimura, Culture Care: Reconnecting with Beauty for our Common Life

“In my experience, when we surrender all to the greatest Artist, that Artist fills us with the Spirit and makes us even more. creative and aware of the greater reality all about us. By "giving up" our "art," we are, paradoxically, made into true artists of the Kingdom. This is the paradox Blake was addressing. Unless we become makers in the image of the Maker, we labor in vain. Whether we are plumbers, garbage collectors, taxi drivers, or CEOs, we are called by the Great Artist to co-create. The Artist calls us little-'a' artists to co-create, to share in the "heavenly breaking in" to the broken earth.”
― Makoto Fujimura, Art and Faith: A Theology of Making

“What if we committed to speaking fresh creativity and vision into culture rather than denouncing and boycotting other cultural products?”
― Makoto Fujimura, Culture Care: Reconnecting with Beauty for Our Common Life

“What if artists became known for their generosity rather than only their self-expression?”
― Makoto Fujimura, Culture Care: Reconnecting with Beauty for Our Common Life

“The surface of my “slow art” is prismatic, so at first glance the malachite surface looks green. But if the eye is allowed to linger on the surface—it usually takes ten minutes for the eye to adjust—the observer can begin to see the rainbow created by layer upon layer of broken shards of minerals. Such a contemplative experience can be a deep sensory journey toward wisdom. Willingness to spend time truly seeing can change how we view the world, moving us away from our fast-food culture of superficially scanning what we see and becoming surfeited with images that do not delve below the surface.”
― Makoto Fujimura, Silence and Beauty: Hidden Faith Born of Suffering

“An industrial map in the mid-twentieth century colored New York’s Hudson River black. The mapmakers considered a black river a good thing—full of industry! The more factory outputs, the more progress. When that map was made, “nature” was widely seen as a resource to be exploited. Few people considered the consequences of careless disposal of industrial waste. The culture has shifted dramatically over the last fifty years. When I share this story today, most people shudder and ask how anyone could think of a polluted river as good.   But today we are doing the same thing with the river of culture. Think of the arts and other cultural enterprises as rivers that water the soil of culture. We are painting this cultural river black—full of industry, dominated by commercial interests, careless of toxic byproducts—and there are still cultural mapmakers who claim that this is a good thing. The pollution makes it difficult to for us to breathe, difficult for artists to create, difficult for any of us to see beauty through the murk.”
― Makoto Fujimura, Culture Care: Reconnecting with Beauty for our Common Life

“Japanese often use the expression shikata-ga-nai (there is nothing you can do) as a fatalistic response to a given circumstance. They assume that circumstance is all there is; they face that shikata-ga-nai with stoic resignation. But the Christian God offers a reality far greater, a possibility of the infinite breaking through, even though the fallen world is cursed and operates within the limitations of a natural, closed mechanism.”
― Makoto Fujimura, Silence and Beauty: Hidden Faith Born of Suffering

“If we care to know how deep the suffering of Christ goes—and how vast and even violent is the restoration process through Christ’s suffering—then we had better start with knowing the dark, cruel reality of the fallen world. If we care to embrace hope despite what encompasses us, the impossibility of life and the inevitability of death, then we must embrace a vision that will endure beyond our failures. We should not journey toward a world in which”solutions” to the “problems” are sought, but a world that acknowledges the possibility of the existence of grace beyond even the greatest of traumas, the Ground-Zero realities of our lives.”
― Makoto Fujimura, Silence and Beauty: Hidden Faith Born of Suffering

“When we cross borders culturally, we experience some alienation from our own culture and gain an objective perspective toward our own culture at the same time. A bicultural individual comes to identify home as a culture outside his or her original identity, and may vacillate in commitment and loyalty to both cultures.”
― Makoto Fujimura, Silence and Beauty: Hidden Faith Born of Suffering

“Even today artists are often valued in the church only if they create art for the church, or at least “Christian art.” We cannot “use” the arts for evangelism or discipleship any more than we can “use” a human being for utilitarian purposes.”
― Makoto Fujimura, Culture Care: Reconnecting with Beauty for Our Common Life

“Many of the streams that feed the river of culture are polluted, and the soil this river should be watering is thus parched and fragmented. Most of these we know, but let me briefly touch on some of the fault lines in the cultural soil (starving the soul) as well as some of the sources of the poisons in the water (polluting the soul).   Starving the cultural soul   One of the most powerful sources of cultural fragmentation has grown out of the great successes of the industrial revolution. Its vision, standards, and methods soon proliferated beyond the factory and the economic realm and were embraced in sectors from education to government and even church. The result was reductionism. Modern people began to equate progress with efficiency. Despite valiant and ongoing resistance from many quarters—including industry—success for a large part of our culture is now judged by efficient production and mass consumption. We often value repetitive, machine-like performance as critical to “bottom line” success. In the seductive industrialist mentality, “people” become “workers” or “human resources,” who are first seen as interchangeable cogs, then treated as machines—and are now often replaced by machines.”
― Makoto Fujimura, Culture Care: Reconnecting with Beauty for our Common Life

“For any given provocation, we are egged on by our instant, omnipresent media to unleash our basest instincts—we might think of them as cultural “fight-flight-freeze” responses—rather than committing ourselves to the slower process of seeking truth.[15] (One genuinely new thing is the virtual mob, which can be just as inhumane and culturally damaging as any physical mob.)   This self-debasement of our humanity in desperate and irrational fear of the “other” is a result of poor cultural stewardship.”
― Makoto Fujimura, Culture Care: Reconnecting with Beauty for our Common Life

“When we make, we invoke the abundance of God's world into the reality of scarcity all about us.”
― Makoto Fujimura, Art and Faith: A Theology of Making

“In order to be effective messengers of hope, we must begin by trusting our inner voice, an inner intuition that speaks into the vast wastelands of our time. This process requires training our imagination to see beyond tribal norms, to see the vista of the wider pastures of culture.”
― Makoto Fujimura, Art and Faith: A Theology of Making

“The Bible begins with Creation and ends with New Creation. Everywhere in between, Creator God (the grand Artist) beckons the broken, but creative, creatures (the little-‘a’ artists) to create shalom/peace in the face of our “Ground Zero” reality all around us.”
― Makoto Fujimura, Art and Faith: A Theology of Making

“The current reality of artists being disconnected from other disciplines, and even, in some cases, being seen as opposed to reason, creates a false dichotomy of knowing. Art is fundamental to the human search for deeper understanding. Art, by extension of this reasoning, is fundamental to understanding the Bible.”
― Makoto Fujimura, Art and Faith: A Theology of Making

“May we stalk the borders and margins, accepting our own deputized call to carry good news to the poor.
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May we always be willing to present a bouquet of flowers, even to those who may not yet know that they desire beauty.”
― Makoto Fujimura, Culture Care: Reconnecting with Beauty for Our Common Life

“Art reveals the power of the intuitive, capturing the reality hiding beneath the culture. The”
― Makoto Fujimura, Silence and Beauty: Hidden Faith Born of Suffering

“Truth is beautiful, but it also exacts a cost - on those who tell it and on those who choose to listen.”
― Makoto Fujimura, Culture Care: Reconnecting with Beauty for Our Common Life

“What kind of a church would we become if we simply allowed broken people to gather, and did not try to “fix” them but simply to love and behold them, contemplating the shapes that broken pieces can inspire?”
― Makoto Fujimura, Art and Faith: A Theology of Making

“In some sense, a broken marriage is due to the unresolved tension between two tribal identities. All marriages are crosscultural, so a good therapist will help raise to the surface the issues and resources of each culture in the relationship and then help the two conflicting cultures come together as complements.”
― Makoto Fujimura, Culture Care: Reconnecting with Beauty for Our Common Life

“There is no art if we are unwilling to wait for the paint to dry.”
― Makoto Fujimura, Art and Faith: A Theology of Making

“In art, we do not obliterate the darkness. Art is an attempt to define the boundaries of the darkness.”
― Makoto Fujimura, Art and Faith: A Theology of Making

“One might say that Japanese faith developed as negative space around the forbidden faith of Christianity. So while the Tokugawa era successfully purged Christians from Japan, an unanticipated outcome was that in banning Christianity they created an imprint of it, a negative space within culture. In a culture that honors the hidden, the weak and the unspoken, Christianity became a hidden reality of Japanese culture.”
― Makoto Fujimura, Silence and Beauty: Hidden Faith Born of Suffering

“One reminder from Emily [Dickinson]’s life is that one needs nothing more than a small and dedicated space to make significant impact in culture.”
― Makoto Fujimura, Culture Care: Reconnecting with Beauty for Our Common Life

“In the summer of 2011, a Japanese farmer planted sunflower seeds in the tainted soil of Fukushima, a few miles away from the earthquake-damaged Daiei nuclear facilities. The radioactive leakage had continued since the devastating tsunami on March 11, 2011. Why would he do that? It’s because he learned that sunflowers have a unique ability to take up radioactive isotopes and store them in their seeds. The farmer would harvest the flowers, which contained pods of radioactivity, making the earth less polluted.”
― Makoto Fujimura, Culture Care: Reconnecting with Beauty for Our Common Life