Maria Malonzo

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Maria Malonzo

Goodreads Author


Born
June 04

Website

Twitter

Genre

Influences

Member Since
January 2009

URL


Maria has worked in TV for over ten years and dabbles in advertising.

A cineaste, she also enjoys writing screenplays. Her screenplay "Snapshots," a romantic comedy about a photographer of disasters and an agoraphobic writer, won the 2nd Prize at the Don Carlos Palanca Memorial Awards in 2004. Her other works include "How Mookie Got a Life" (published under the name Abi Malonzo); a poem she wrote was also featured in the Star Cinema film "One More Chance."

A PSA on human trafficking which she wrote and produced won the Best Advertisement Award at the Migration Advocacy and Media Awards 2011.
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Average rating: 4.13 · 56 ratings · 22 reviews · 5 distinct works
Hello, Privet! #1 : Hello/П...

4.13 avg rating — 54 ratings — published 2015 — 2 editions
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Hello, Privet! #2

really liked it 4.00 avg rating — 2 ratings — published 2016
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About Last Night

0.00 avg rating — 0 ratings — published 2017
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Hello, Privet! #3

0.00 avg rating — 0 ratings — published 2017
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Confessions of the B.S.G.

0.00 avg rating — 0 ratings — published 2009
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Free Review Copies of "Hello, Privet!" #1 @ the New Adult Book Club

Hi! Thirty eARC's are up for grabs over at the New Adult Book Club. Just sign up to be a member, and then sign up for a free ebook here:

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Published on August 19, 2015 03:49
Hello, Privet! #1 : Hello/П... Hello, Privet! #2
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4.13 avg rating — 56 ratings

The Sorrows of Yo...
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by John Zelazny (Goodreads Author)
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Call Me by Your Name
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The Life of Eliza...
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Quotes by Maria Malonzo  (?)
Quotes are added by the Goodreads community and are not verified by Goodreads. (Learn more)

“Maybe I’ll never be able to figure out what I’m passionate about. But when I choose something, it has to be something that when I wake up it’s the first thing I think about, and it’s also the last thing I think about before I go to sleep. I read about other people and how much they love their jobs—like, how they just want to do it all the time and it doesn’t feel like work because they love it so much. I want that to happen to me.”
Maria Malonzo, Hello, Privet! #1 : Hello/Привет

“Daniel: So, how are you?
Sophie: Buckling under the weight of a thousand expectations. You?”
Maria Malonzo, Hello, Privet! #1 : Hello/Привет

“How’s your first week so far?” Isabele asks.
“Well, let me see,” I begin. “Chloe says my penmanship is shit, and I was only thirty minutes early this morning, which apparently means I’m late, but on the bright side, she thinks her non-fat, half-sweet, no-whip soy latte didn’t taste right and then she told me she’s not paying for it. Other than that, work is just fine.”
Maria Malonzo, Hello, Privet! #1 : Hello/Привет

“It was true that I didn’t have much ambition, but there ought to be a place for people without ambition, I mean a better place than the one usually reserved. How in the hell could a man enjoy being awakened at 6:30 a.m. by an alarm clock, leap out of bed, dress, force-feed, shit, piss, brush teeth and hair, and fight traffic to get to a place where essentially you made lots of money for somebody else and were asked to be grateful for the opportunity to do so?”
Charles Bukowski, Factotum

“-Tu crois que c'est comme tes mines de crayon ? Tu crois que ça s'use quand on s'en sert ?
- De quoi ?
-Les sentiments.”
Anna Gavalda, Hunting and Gathering

“You know you're in love when you can't fall asleep because reality is finally better than your dreams.”
Dr. Seuss

“There are a hundred things she has tried to chase away the things she won't remember and that she can't even let herself think about because that's when the birds scream and the worms crawl and somewhere in her mind it's always raining a slow and endless drizzle.

You will hear that she has left the country, that there was a gift she wanted you to have, but it is lost before it reaches you. Late one night the telephone will sign, and a voice that might be hers will say something that you cannot interpret before the connection crackles and is broken.

Several years later, from a taxi, you will see someone in a doorway who looks like her, but she will be gone by the time you persuade the driver to stop. You will never see her again.

Whenever it rains you will think of her. ”
Neil Gaiman

“Historical fact: People stopped being people in 1913. That was the year Henry Ford put his cars on rollers and made his workers adopt the speed of the assembly line. At first, workers rebelled. They quit in droves, unable to accustom their bodies to the new pace of the age. Since then, however, the adaptation has been passed down: we've all inherited it to some degree, so that we plug right into joy-sticks and remotes, to repetitive motions of a hundred kinds.”
Jeffrey Eugenides, Middlesex

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I'm hosting a discussion of my new novel EIGHT WHITE NIGHTS from February 22nd - March 5th, answering questions while on tour. You can see my upcoming ...more
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