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Kanza Javed

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Kanza Javed

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August 2012


Kanza Javed holds an MFA in Fiction from West Virginia University, where she was awarded the prestigious Rebecca Mason Perry Award. She has also received two U.S. State Department research scholarships, studying at the University of Massachusetts Amherst and Arizona State University.

Her debut novel, Ashes, Wine and Dust, was shortlisted for the Tibor Jones South Asia Prize and became a national bestseller in South Asia. Her short stories have appeared in esteemed literary journals, including American Literary Review, The Punch Magazine, Salamander, Greensboro Review, and The Malahat Review. She is the recipient of the Reynolds Price Prize for Fiction (Center for Women Writers, Salem College) and has been a finalist for the 51st New Millenn
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Average rating: 4.31 · 416 ratings · 128 reviews · 3 distinct worksSimilar authors
Ashes, Wine and Dust

4.14 avg rating — 265 ratings — published 2015 — 4 editions
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What Remains After a Fire: ...

4.60 avg rating — 144 ratings5 editions
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The Esthetic Apostle: Winte...

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it was amazing 5.00 avg rating — 7 ratings — published 2019
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A Shade Darker by Sidra F. Sheikh
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A Splintering by Dur e Aziz Amna
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“What happens when two introverts collide? Do they dissolve completely in each other’s patience and silence, or do they break their glass shells and become new people?”
Kanza Javed, Ashes, Wine and Dust

“After everything is said and done, a memory remains a treacherous thing…How long does one cling on to the people they’ve lost? How long could I have remembered my grandfather? How long had it been since I forgotten him and my mind began harbouring other things?”
Kanza Javed, Ashes, Wine and Dust

“It is hard to explain to a privileged child the difference between freedom and captivity. For him, the world functions differently, all rains bear fruits and all men are free. He catches a golden bird and puts it inside a gold cage. He watches it grow, captivated, unaware that with its beautiful body comes a pair of wings that can set it free.”
Kanza Javed, Ashes, Wine and Dust

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“A man is the history of his breaths and thoughts, acts, atoms and wounds, love indifference and dislike, also of his race and nation, the soil that fed him and his forbears, the stones and sands of his familiar places, long-silenced battles and struggles of conscience, of the smiles of girls and the slow utterance of old women, of accidents and the gradual action of inexorable law, of all this and something else, too, a single flame which in every way obeys the laws that pertain to Fire itself, and yet is lit and put out from one moment to the next, and can never be relumed in the whole waste of time to come.”
A.S. Byatt, Possession

“Literary critics make natural detectives.”
A.S. Byatt, Possession

“Things had changed between them nevertheless. They were children of a time and culture which mistrusted love, 'in love', romantic love, romance in toto, and which nevertheless in revenge proliferated sexual language, linguistic sexuality, analysis, dissection, deconstruction, exposure. They were theoretically knowing: they knew about phallocracy and penisneid, punctuation, puncturing and penetration, about polymorphous and polysemous perversity, orality, good and bad breasts, clitoral tumescence, vesicle persecution, the fluids, the solids, the metaphors for these, the systems of desire and damage, infantile greed and oppression and transgression, the iconography of the cervix and the imagery of the expanding and contracting Body, desired, attacked, consumed, feared.”
A.S. Byatt, Possession

“That is human nature, that people come after you, willingly enough, provided only that you no longer love or want them.”
A.S. Byatt, Possession

“Independent women must expect more of themselves, since neither men nor other more conventionally domesticated women will hope for anything, or expect any result other than utter failure.”
A.S. Byatt, Possession

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