James Nolan
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Higher Ground
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published
2011
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4 editions
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Perpetual Care: Stories
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published
2008
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2 editions
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Interpretation: Techniques and Exercises (Professional Interpreting in the Real World, 4)
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published
2005
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16 editions
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Flight Risk: Memoirs of a New Orleans Bad Boy (Willie Morris Books in Memoir and Biography)
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You Don't Know Me
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published
2014
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Spanish-English/English-Spanish Pocket Legal Dictionary/Diccionario Juridico de Bolsillo Espanol-Ingles/Ingles-Espanol
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published
2008
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6 editions
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Poet-Chief: The Native American Poetics of Walt Whitman and Pablo Neruda
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published
1994
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3 editions
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The Predator: The Art and Making of the Film
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published
2018
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Nasty Water: Collected New Orleans Poems
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Why I Live in the Forest
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published
1974
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2 editions
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“In all of the languages of the five hundred original North American Indian cultures, and in most of the southern hemisphere, there is no word for "art" apart from the spiritual or tribal functions that any esthetic creation might serve. This creation is non-mimetic, that is, it is not a copy or shadow of the real but incorporates reality, in essence, and becomes the thing itself. For the word-sender, the singing of the poem is sacred and practical rather than secular and artistic. The purpose is to name, mythify; initiate, heal, unify, or psychically transport, rather than, as we understand the artistic function, for individual self-expression, entertainment, or purely esthetic pleasure. Beauty is not a secondary reflection of goodness, but, as with the Pueblos, "good" and "beautiful" are the same word.”
― Poet-Chief: The Native American Poetics of Walt Whitman and Pablo Neruda
― Poet-Chief: The Native American Poetics of Walt Whitman and Pablo Neruda
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