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Faiqa Mansab

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Born
in Lahore, Pakistan
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May 2017

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Faiqa Mansab is a Pakistani author. Her first novel This House of Clay and Water was published by Penguin India in 2017. It was longlisted for the Getz Pharma Literary Award and the German Consulate Peace Prize in 2018. The novel was Amazon Editor’s Pick Januwary 2018, Amazon International Women’s Fiction Pick 2018, and appeared in many must read lists in India and Pakistan. The novel has been translated into Turkish, is available as audiobook by Blackstone Publishing USA and has been optioned for screen adaptation.
Faiqa has an MFA in creative writing with a distinction and Best MFA Thesis Award from Kingston University London. She has an MA in Gender Studies from Birkbeck University London. She also holds an MA in English Literature and an
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Popular Answered Questions

Faiqa Mansab Dear Laveena
Thank you so much for his lovely message. I am so glad you liked This House of Clay and Water. The dargah is real but I have taken libert…more
Dear Laveena
Thank you so much for his lovely message. I am so glad you liked This House of Clay and Water. The dargah is real but I have taken liberties with the details. Lahore is known for its Sufi shrines, much like Delhi. The tree of Bhanggi is actually in Mian Mir dargah. The faqirs who wear red are from Lal Hussain dargah. The sema happens at ShahJamal dargah. I have combined all features of the four.
Nida' s zingers are very much her own. That's how we know she is an intelligent woman who is going through a deeply painful time in her life.
I hope you enjoy the answer even half as much as I enjoyed your question.
Best regards
Faiqa(less)
Faiqa Mansab Connecting with people. I love to hear fro my readers :)
Average rating: 3.88 · 742 ratings · 178 reviews · 4 distinct works • Similar authors
This House of Clay and Water

3.88 avg rating — 638 ratings — published 2017 — 8 editions
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The Sufi Storyteller

3.80 avg rating — 92 ratings — 7 editions
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The Sufi Storyteller

it was amazing 5.00 avg rating — 1 rating
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Representations of Feminini...

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it was amazing 5.00 avg rating — 1 rating — published 2017 — 2 editions
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Why Do we Read Fiction?

Reading calms me. It brings me the kind of pleasure and joy few things do. Stories are a way for me to recognize other people and myself too. I read all kinds of genres and books and authors according to what I feel I need. There days when i only want comfort reading, and nothing but fantasy will do. Other times I want adventure and I'll read children's books, YA and MG books. I read non-fiction w Read more of this blog post »
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Published on June 10, 2018 13:28 • Tags: book-club, books, faiqa-mansab, fiction, pakistani-fiction, reading, this-house-of-clay-and-water

Faiqa’s Recent Updates

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Encyclopedia of Spirits by Judika Illes
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Raven and Crow by Ellen W. Williams
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Barbaric Others by Ziauddin Sardar
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Too general. Too vague. Too basic.
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Who Knows the Bounds of Desire by Osama Siddique
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I think this is my favourite of Osama Siddique’s novels. I enjoyed the sharp wit, the ironic humour and the Dickensian perfection of character sketches. Truly a treat to read.
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Fantastic Metamorphoses, Other Worlds by Marina Warner
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MLA Handbook 9th Edition Simplified by Appearance Publishers
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On Murder, Mourning and Melancholia by Sigmund Freud
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Studies in Hysteria by Sigmund Freud
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The Joke and Its Relation to the Unconscious by Sigmund Freud
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On Dreams by Sigmund Freud
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Quotes by Faiqa Mansab  (?)
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“Nobody thinks of protecting others from themselves. It's the people who claim concern and love who damage us the most.”
― Faiqa Mansab, This House of Clay and Water

“People who roam these roads in their metal cars don't feel, don't see. They will honk and curse if an accident happens in front of them, while the people on motorbikes, on bicycles and rickshaws, will stop to help. They have not travelled enclosed in metal prisons too long, and so the wind and the sun have touched them, helped them remain more human.”
― Faiqa Mansab, This House of Clay and Water

“You taught me to think, and you put ideas in my head. People read to forget. Books don't change the world, ji. You didn't tell me that. You talked of the dignity of the human spirit to a hijra.”
― Faiqa Mansab, This House of Clay and Water

“I had never said those words because there were no words left. My beloved and I were both exiles from language. Our love couldn't be expressed in words. Our love had been woven into the melodies rendered by his flute, and it was subsumed in the atoms of the air we breathed. It had been consecrated in this shrine. It had never been named. It was an unnamed thing that had remained unspoken, unuttered, unsaid. I did not need to name it when he could already hear it.”
― Faiqa Mansab, This House of Clay and Water

“It is not often that I have two options to choose from. It is nice to be compelled towards something, otherwise one drifts through life unimpeded.”
― Faiqa Mansab, This House of Clay and Water

“I was an utterance in absentia. I was a forgotten word, uttered and mislaid long ago. I was the word that existed because there was another word that was my opposite, and without it I was nothing. I gained meaning only by acknowledging that possible other.
Nida”
― Faiqa Mansab, This House of Clay and Water

“I'd morphed, altered, nipped and tucked away bits of my personality for so long, I no longer recognized myself. I feared that one day, even if I wanted to, I wouldn't be able to identify myself. I'd be forever trapped in an image of another's making, and there would be no escape because I would have forgotten to want to escape.
Nida”
― Faiqa Mansab, This House of Clay and Water

“In the nights though, I couldn't help but weave the golden cloth of my dreams. Each stitch from heart to thought, and thought to heart, was painful to bear, even if it was joyous at times. Because each thread was fraught with the fears of being broken midway, lost and never found again.”
― Faiqa Mansab, This House of Clay and Water

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