Mae Leveson
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January 2019
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Cradle on the Waves: A Year of Living on Prince Edward Island
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“The snow starts again in the afternoon: fine flakes at first, but becoming gradually heavier. The world is silent. I watch through the window as it continues to fall. I’m supposed to be working on writing this book, but I am staring at the view out of the window, which is like a giant snow globe. Someone has shaken my world and I’m watching as it rearranges itself.”
― Cradle on the Waves: A Year of Living on Prince Edward Island
― Cradle on the Waves: A Year of Living on Prince Edward Island
“The snow starts again in the afternoon: fine flakes at first, but becoming gradually heavier. The world is silent. I watch through the window as it continues to fall. I’m supposed to be working on writing this book, but I am staring at the view out of the window, which is like a giant snow globe. Someone has shaken my world and I’m watching as it rearranges itself.”
― Cradle on the Waves: A Year of Living on Prince Edward Island
― Cradle on the Waves: A Year of Living on Prince Edward Island
“The lamps were lit, and a good fire crackled in the great stone fireplace. There was a discreet chink of china, the brightness of silver teapot and muffin cover, the comforting smell mingled of steaming hot water, toast and a little sweet tobacco.”
― The Mist in the Mirror
― The Mist in the Mirror
“It was on the second Tuesday in January - WI night - that winter became a serious and dramatic matter, a cold, tiring, but exhilarating time, at least for the young, and a companionable time for all, when we were stranded, snowbound and sealed off in place and, it seemed, in time too, for the usual pattern of the day’s coming and going was halted.
We had been in the town all day, and I had scarcely noticed the weather. But, by the time I put the car up the last, steep bit of hill, past Cuckoo Farm and Foxley Spinney, towards the village, the sky had gathered like a boil, and had an odd, sulphurous yellow gleam over iron grey. It was achingly cold, the wind coming north-east off the Fen made us cry. We ran down the steps and indoors, switched on the lamps and opened up the stove, made tea, shut out the weather, though we could still hear it; the wind made a thin, steely noise under doors and through all the cracks and crevices of the old house. But by six o’clock there had been one of those sudden changes. I opened the door to let in Hastings, the tabby cat, and sensed it at once. The wind dropped and died, everything was still and dark as coal, no moonlight, not a star showed through the cloud cover, and it was just a degree wamer. I could smell the approching snow. Everything waited.”
― The Magic Apple Tree: A Country Year
We had been in the town all day, and I had scarcely noticed the weather. But, by the time I put the car up the last, steep bit of hill, past Cuckoo Farm and Foxley Spinney, towards the village, the sky had gathered like a boil, and had an odd, sulphurous yellow gleam over iron grey. It was achingly cold, the wind coming north-east off the Fen made us cry. We ran down the steps and indoors, switched on the lamps and opened up the stove, made tea, shut out the weather, though we could still hear it; the wind made a thin, steely noise under doors and through all the cracks and crevices of the old house. But by six o’clock there had been one of those sudden changes. I opened the door to let in Hastings, the tabby cat, and sensed it at once. The wind dropped and died, everything was still and dark as coal, no moonlight, not a star showed through the cloud cover, and it was just a degree wamer. I could smell the approching snow. Everything waited.”
― The Magic Apple Tree: A Country Year
“The tension between what is, and what we dream of, is important. Not to discount what we have, but to hold onto that middle ground, because it's in there that the magic happens.”
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Sep 17, 2019 03:58AM · flag