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George Scott-Moncrieff
Born
in Edinburgh, Scotland
April 09, 1910
Died
March 11, 1974
Website
Genre
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Edinburgh
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published
1947
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9 editions
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The Lowlands of Scotland
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published
1939
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6 editions
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The Scottish Islands
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published
1952
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5 editions
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Burke Street
by
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published
1956
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3 editions
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The Mirror and the Cross: Scotland and the Catholic Faith
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Café Bar
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published
1932
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Death's Bright Shadow
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published
1948
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Living Traditions of Scotland
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published
1951
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3 editions
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Places in Perthshire: Craigower, Linn of Tummel, Pass of Killiecrankie, The Hermitage, Dunkeld
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published
1966
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2 editions
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Kintail, Balmacara, and the Falls of Glomach
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published
1975
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2 editions
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“Today finds Scotland in an extraordinary muddle. First she was free in body, romantic, cultured, and uncivilised, till her government was taken over by a usurious Kirk, weilding power through superstition. The boor for a century, she was repopularised by Scott, adopted as a plaything by a foreign queen, suffered worse than any nation in the industrial upheaval, and finally left an abortive carcase rotting somewhere to the North of England.”
― Scotland in Quest of Her Youth
― Scotland in Quest of Her Youth
“A theatrical tribute to John Knox is one way of measuring his failure. John Kox was a strong advocate of the death penalty for actors, and consistent supporters of his doctrine should properly have strung up Tom Fleming, his impersonator, along with the rest of the cast of Robert Kemp's Master John Knox presented at the Gateway Theatre during October. The play and the man cannot both be justified, and an unrealistic element enters into a theatrical interpretation that is devised to do fulsome homage to a historical character without conceding that he was one of the Theatre's most savage enemies. This element of calculated inaccuracy was sustained in a piece that Christopher Small, writing in the Glasgow Herald, rightly observed presented us with the Knox of tradition, or sentiment, rather than the Knox of history. But if we are prepared to swallow the legend, Mr. Kemp succeeded in giving it theatrical life.”
― Saltire Review 23, Winter 1961
― Saltire Review 23, Winter 1961
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