Lydia Sandgren
Born
in Göteborg, Sweden
January 08, 1987
Genre
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Samlade verk
33 editions
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published
2020
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Merit vaknar
by
8 editions
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published
1933
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Artens överlevnad
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* Note: these are all the books on Goodreads for this author. To add more, click here.
“- Hon pluggar dubbelt. Har jag sagt det? Hon läser tyska också.
- Vad ska hon bli då?
- Va?
- Ja, med all tyska och historia? Nazist?”
― Samlade verk
- Vad ska hon bli då?
- Va?
- Ja, med all tyska och historia? Nazist?”
― Samlade verk
“People engage in a lot of self-deception,” she said with a firm grip on his arm to keep her balance. “They have this need to write books and get a PhD and become professors and noted intellectuals. But almost everyone’s mediocre. They’re intelligent enough to recognize genius and excellence, and with a bit of luck they may achieve something above average themselves. But the vast majority of people are middling. And they don’t want to accept that. Instead, they buy houses and build patios and have children, which serves as a watertight alibi. I never got to write that book, they say. Because I have the house and the patio and the children to take care of. And besides, they like it just fine at work. Next summer, they’re going on an extended vacation to France. They say they love to read, but how much do they really read? A book a month, if that. They say they wish they had more time to read. They say they wish they had more time to write. That they would love to write that book, but time. There’s not enough time.”
― Collected Works: A Novel
― Collected Works: A Novel
“Over the years, I’ve thought a lot about what a person has a right to tell other people. As a therapist, it’s simple: everything you’re told is confidential. Outside the clinic, however, there are unfortunately no rules. There are those who believe the truth must come out at any cost, that the truth is always a force of good, and that in any given situation, you should insist on what you perceive as ‘true.’ But people construct their own narratives, for protection, to keep life in check. And if you disrupt a narrative, you have to be prepared for chaos to follow. If your narrative deviates too far from reality, if it’s built on fundamental misconceptions and grave misinterpretations, then the narrative can be a problem in itself, of course. And yet, it may be that that particular construct is what makes life possible in that moment. Most of us reinterpret and censor things now and then. Human memory is deceptive that way. We’re good at forgetting what’s painful and hard. Instead, we pick out some little episode that we buff and polish and tinker with until it has become emblematic of our history.”
― Collected Works: A Novel
― Collected Works: A Novel
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